Results 51 to 60 of about 1,102 (188)
Notation in Early Modern Language Teaching
Renaissance Studies, EarlyView.ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
wiley +1 more source
Jorge Luis Borges' Medieval Aesthetics of Failure
Critical Quarterly, EarlyView.
Irina Dumitrescu
wiley +1 more source
Staging the Semahs: Performing Aleviness in Turkey and Europe
Studies in Ethnicity and Nationalism, EarlyView.ABSTRACT The semah, a genre of music and movement practices imbued with values of gender, class, age and ethical egalitarianism, lies at the core of the Alevis' ayn‐i cem rituals. Since the 1970s, processes of urbanisation, migration, folklore production and heritage‐making have facilitated the circulation of semah beyond ritual contexts, particularly ...
Sinibaldo De Rosa
wiley +1 more source
Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 309-341, September 2026.Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
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The Mutable Original: How Chinese Counterfeits Become Nigerian Originals in African Markets
American Anthropologist, Volume 128, Issue 3, Page 581-594, September 2026.ABSTRACT Affordable Chinese copies of Western brands are ubiquitous in African markets. Despite democratizing consumer access, these goods appear to cement hegemonic value hierarchies that rank Chinese or local products as inferior to Western goods.
Jing Jing Liu
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A major research project on Late Medieval and Early Renaissance music
Studi di Storia Medioevale e di Diplomatica: Nuova Serie, 2018 This paper describes an important multimedia online project, dedicated to a number of different sources concerning Late Medieval and Early Renaissance music.
Reinhard Strohm
doaj
DEUS, “A BEM, SOE”! A VIDA REVELADA NO CANTUS FIRMUS
Caminhos, 2019 O presente artigo pretende analisar a música medieval, em específico a relação entre polifonia e grafia musical, a partir de conceitos próprios da fenomenologia de Michel Henry, demonstrando que o improviso possui em si um acesso não mediado à Vida no ...
Marcelo Ramos Saldanha +1 more
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, Volume 40, Issue 4, Page 712-738, September 2026.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Teaching Medieval Music Today: New Approaches to Paleography and Music History
Musica Docta, 2016 Besides a tendency to abstractness, inherent in the technical nature of the subject itself, a common problem in the teaching of medieval music history is how to awaken the interest of learners in matters that are so far back in time as to have nothing in
Cesarino Ruini
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