Results 11 to 20 of about 868 (138)
Matrizes, 2022 O artigo apresenta quatro ontologias possíveis por meio da natureza, composição, finalidade e localização das relações entre o excesso e o melodrama nas narrativas midiáticas.
Anderson Lopes da Silva
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Historical and Mythological Time in Svetlana Proskurina’s Film Pervaya Lyubov (First Love) [PDF]
Телекинет, 2023 The article analyzes the drama of Svetlana Proskurina’s film and the images of the central characters. Since the theme of the male character’s obsession with his beloved woman and the theme of the heroines’ enchantment do not give an answer to the ...
Pateeva, Elena
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Telenovela: Amor en custodia una telaraña sentimental
Chasqui, 2007 Trata sobre el melodrama y el desarrollo de este en la telenovela "Amor en custodia". Destaca que mediante la explotación del potencial sentimental de los receptores- perceptores, el melodrama cumple una labor educativa.
Manuel de Jesús Corral Corral
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Revista Brasileira de História da Mídia, 2019 Si bien el melodrama es un género moderno que consiguió un lugar central en la industria cultural, no fue sino hasta la década de 1970que la crítica inició un proceso que condujo a su legitimación cultural.
Mirta Varela
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A “Golden Age” Puzzle with Female Audiences of Yeşilçam: Nostalgia, Melodrama and Gender
İnsan & Toplum, 2023 This study focuses on the ways in which the feeling and rhetoric of nostalgia are constructed and made sense of on the basis of the memories of women who went to the movies in the 1960s and 1970s and who watched mostly Yeşilçam melodramas.
Aynülhayat Uybadın
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The “family romance” comes out of the closet: the female fantasy in Sévigné (Julia Berkowitz)
Feminismo/s, 2012 This essay tackles the study of Sévigné (Julia Berkowitz) (2004), by the Catalan filmaker Marta Balletbó-Coll, from a feminist perspective that deals with the specific Oedipal transgressions of the film with regard to the classical «Maternal Melodrama ...
Leire Ituarte Pérez
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Collective Existence in Samson Samsonov’s Film “Odinokim predostavlyaetsya obshchezhitie” (Dormitory for Singles) [PDF]
Телекинет, 2022 The article provides a study of the features of the style and character system in Samson Samsonov’s film Dormitory for Singles (1983). An important aspect of the study is the problem of “collective existence”, which is analyzed by the author in a complex
Azerskaya, Irina Arkadyevna
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Cinema e jornalismo: o melodrama e a tragédia moderna
Rumores, 2008 O cinema clássico e o jornalismo possuem formas de narrar aproximáveis. Eles são semelhantes na busca da “objetividade” e na ênfase ao melodrama e ao «espetáculo» como eixo de identificação do espectador.
Lisandro Nogueira
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MatLit, 2014 This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos ...
Maria Joana Melo
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Economie del grottesco nell’opera letteraria di Balzac: Le cousin Pons
Itinera, 2013 The essay focuses on relations between grotesque and melodrama in Balzac’s literary works. Unlike Victor Hugo, the grotesque takes up a specific function in the narrative and dramatic economy of Balzac’s novels.
Michele Bertolini
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