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All the Disc’s a Stage: Terry Pratchett’s Wyrd Sisters as Metafiction
Terry Pratchett’s Discworld is a post-structuralist landscape where stories are real and magic is a mediating force between reality and representation.
Prema Arasu
doaj +1 more source
The Romanian Academic Novel and Film through the Postcommunism/Postcolonialism Lens [PDF]
The last two decades have witnessed an intensified academic interest in a potential rapprochement between Postcolonial Studies and Postcommunist Studies, the former a firmly established discipline in global academia, while the existence of the latter as ...
Corina Selejan
doaj
Dimensional Taxonomy of Data Visualization: A Proposal From Communication Sciences Tackling Complexity. [PDF]
Cavaller V.
europepmc +1 more source
Susana ONEGA, Telling histories : narrativizing history, historicizing ...
Martín Alegre, Sara
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How real is real: attitudes towards realism in selected post-war British fiction [PDF]
Despite its apparent precision in meaning, realism as a once-held literary school of thought provokes controversies regarding its basic definition and the works attributed to it.
Ali Termizi, Arbaayah +1 more
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Escape and Consolation: Narrative Voice and Metafiction in the Harry Potter Series
Auba Llompart Pons
openalex +3 more sources
Minimalism's Attention Deficit: Distraction, Description, and Mary Robison's Why Did I Ever. [PDF]
Jones SA.
europepmc +1 more source
New rhetorics: disciplinarity and the movement from historiography to taxonomography [PDF]
Since at least the late 1980s, those working on the lineage of the ever-nebulously-titled postmodern fiction have become accustomed to thinking about a certain sub-genre of this form as “historiographic metafiction,” at the invitation of Linda Hutcheon ...
Eve, Martin Paul
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