Results 201 to 210 of about 329 (234)
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The Metaphysical Lyric of the Six Dynasties
T'oung Pao, 2012AbstractIn the third and fourth centuries there flourished in China a literary tradition that integrated abstruse philosophizing into pentasyllabic verse: xuanyan shi or the “metaphysical lyric.” Xuanyan verse was mostly ignored in the great wave of literary critique and classification during the succeeding centuries, and much has been lost, but by ...
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The Metaphysical Lyric in the Light of Transgeneric Narratology
Tekstualia, 2018This article analyses two sixteenth-century lyrics (referred to as metaphysical) from the collection of John Donne’s Songs and Sonnets – “The triple Foole” and “The Apparition” – by means of methods proposed by transgeneric narratology. The author highlights those aspects of Donne’s poems which reveal the features of the narrative text as well as those
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Voprosy literatury, 2021
The article considers one of the methods of identity creation in a song used by lyricists in the early 21st c.: it involves a combination of profane language typical of an urban outcast (patsan, gopnik) and metaphysical, i. e. sacred, themes. Enjoying numerous representations in contemporary Russian visual arts, the discourse of the ‘metaphysical macho
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The article considers one of the methods of identity creation in a song used by lyricists in the early 21st c.: it involves a combination of profane language typical of an urban outcast (patsan, gopnik) and metaphysical, i. e. sacred, themes. Enjoying numerous representations in contemporary Russian visual arts, the discourse of the ‘metaphysical macho
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2022
This dissertation explores the lyric poetry of Johann Wolfgang von Goethe, Eduard Mörike, and Rainer Maria Rilke, and it contends that these modern poets retain, albeit uneasily, a view of things as symbols of the transcendent divine. It thus disputes the secularization theory of post-Enlightenment aesthetics.
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This dissertation explores the lyric poetry of Johann Wolfgang von Goethe, Eduard Mörike, and Rainer Maria Rilke, and it contends that these modern poets retain, albeit uneasily, a view of things as symbols of the transcendent divine. It thus disputes the secularization theory of post-Enlightenment aesthetics.
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Spatial Images in Baratynsky’s Late Lyrics: Aesthetic and Metaphysical Aspects
Transcultural Studies, 2019The article is devoted to the question of how in the late lyric of the Russian poet of Pushkin’s circle Yevgeny Abramovich Baratynsky (1800–1844), namely in his final book of verses Sumerki [Twilight] (1842), in spatial images metaphysical and aesthetic principles are reflected.
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Yeats, Donne, and the Metaphysicals: Polemics and Lyrics, 1896–1929
1991Throughout his career, Yeats remained steadfast in his belief that a polarity of forces emanating from body and soul gave rise to instants of supraliminal insight which poets were empowered to translate into poetry. By the turn of the century, he saw the need for a significant mid-course adjustment in the stylistic tack his work was taking; but it ...
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A. C
(1940). A. Closs, The Genius of the German Lyric, an Historic Survey of its Formal and Metaphysical Values. The Germanic Review: Literature, Culture, Theory: Vol. 15, No. 3, pp. 236-236.
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Comparative Literature Studies
ABSTRACT Subjective mediation is often treated as an epistemological problem, because it denies the thinker unfettered access to things-in-themselves. This article proposes instead that the sociohistorically sedimented qualities of subjective mediation are a window onto the positional juncture at which the subject ends and things-in ...
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ABSTRACT Subjective mediation is often treated as an epistemological problem, because it denies the thinker unfettered access to things-in-themselves. This article proposes instead that the sociohistorically sedimented qualities of subjective mediation are a window onto the positional juncture at which the subject ends and things-in ...
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Clipping Easter’s Wing: Lorine Niedecker and the Metaphysical Lyric
Modern Philology, 2023openaire +1 more source
The Genius of the German Lyric. An Historic Survey of Its Formal and Metaphysical Values
The Modern Language Review, 1939Gillian Rodger, August Closs
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