Gewalt der Medien und Zuschauer im Film ‘71 Fragmente einer Chronologie des Zufalls’ von Michael Haneke [PDF]
, 2013 It is often mentioned that Michael Haneke’s 71 Fragments of a Chronology of Chance is a critique against the mass media because images of real news broadcasts figure in the film.
IGUCHI Yusuke
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Paris, borders and the concept of Europe in Paris, je t’aime and Code Unknown [PDF]
, 2011 Michael Haneke’s Code Unknown and the multi-director Paris, je t’aime belong (the latter at least in part) to a recently emerged cinematic form described as the network form, which represents changing spaces and plural perspectives in multicultural ...
Silvey, Vivien
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De Cameron a Haneke, un punto inicial para analizar el cine gerontológico
Revista de Medicina y Cine / Journal of Medicine and Movies, 2015 Reflexión a partir de las propuestas de James Cameron y de Michael Haneke que han tratado dos de los grandes temas de la gerontología: el envejecimiento activo y el final de la vida, cómo punto inicial para analizar la producción cinematográfica de ...
Enric ROCA CARRIÓ
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Network Films: a Global Genre? [PDF]
, 2012 Over the past three decades there has been a boom in films which present collections of strangers whose lives coincidentally intersect, in ways unbeknownst to them but revealed to the audience.
Silvey, Vivien
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Deja viewing?: videographic experiments in intertextual film studies [PDF]
, 2013 No description ...
Grant, Catherine
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Kültür Endüstrisine “Yedinci Kıta”dan Bakmak
Sakarya İletişim, 2023 Özünde kapitalist üretim ilişkilerini barındıran tüketim toplumlarında, kültür endüstrisi vasıtasıyla bireyler, sürekli olarak tüketime sevk edilmektedirler. Temelinde, özgürlükçü bir hava sergilemek yerine, zorlayıcı bir anlayış söz konusudur. Tek yönlü
Ömer Yavuz Özaslan, Gönül Cengiz
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Violence and transnationalism in contemporary latin-american cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008) [PDF]
, 2012 Este artículo analiza la representación de la violencia en dos películas latinoamericanas: Carancho (Pablo Trapero, 2010) y Los bastardos (Amat Escalante, 2008).
Lie, Nadia, Mandolessi, Silvana
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Aisthesis, 2019 A partir de la aparición y desaparición de una voz que, en off, se instala para hacer de los fragmentos del recuerdo una historia, se analiza el deber-contar que sostiene la película Das weiße Band.
Niklas Bornhauser, Carolina Pezoa
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Ist die intermedialisierung BZW medientransformation ein verrat des originalwerkes? Analyse der frage mit dem roman Die klavierspielerinElfriede Jelineks und dem gleichnamigen film von Michael Haneke [PDF]
Akofena, 2022 Zusammenfassung: Ziel dieses Beitrags ist es zu wissen, ob die Intermedialisierung bzw. Medientransformation zum Verrat oder zur Bereicherung eines verfilmten Werks führen kann.
Eckra Lath TOPPÉ & Koménan KOFFI
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