Results 21 to 30 of about 4,992 (168)

Eros e a Ciência da Informação

open access: yesEm Questão, 2018
Experimentação sobre o deslizamento de planos entre filosofia, Ciência da Informação e Artes por meio da trilogia da incomunicabilidade formada pelos filmes dirigidos por Michelangelo Antonioni, com o objetivo de delinear e experimentar maneiras de ...
Solange Puntel Mostafa   +2 more
doaj   +1 more source

Mistrz i Monica

open access: yesKwartalnik Filmowy, 2002
Bialikiewicz bada fenomen aktorstwa Moniki Vitti w kontekście ról, które zagrała w filmach Antonioniego. Dodaje, że Antonioni traktował aktora jako znak wypełniający przestrzeń stworzoną przez reżysera.
Barbara Bialikiewicz
doaj   +1 more source

Una ventana entre dos silencios: Caetano Veloso y Michelangelo Antonioni [PDF]

open access: yes, 2005
Indexación: Revista UNABEste artículo analiza la confluencia de tres artes (literatura, música y cine) en una canción que Caetano Veloso dedica a Michelangelo Antonioni, repasando los principales puntos de contacto en sus trayectorias como artistas y ...
Cussen, Felipe
core  

Truth After cinema: The explosion of facts in the documentary films of Jia Zhangke [PDF]

open access: yes, 2013
This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ 2013 Intellect Books.This article identifies and elaborates on two models of resistance evident in JiaZhangke’s film corpus.
Rugo, D
core   +1 more source

Teaching creatively, teaching for creativity : QUT’s Creative Industries Faculty Showcase Panel [PDF]

open access: yes, 2012
In this panel, we showcase approaches to teaching for creativity in disciplines of the Media, Entertainment and Creative Arts School and the School of Design within the Creative Industries Faculty (CIF) at QUT.
Osborne, Lindy
core   +1 more source

Movies and meaning: from low-level features to mind reading [PDF]

open access: yes, 2017
When dealing with movies, closing the tremendous discontinuity between low-level features and the richness of semantics in the viewers' cognitive processes, requires a variety of approaches and different perspectives.
Benini, Sergio
core   +1 more source

Course Materials for 'Understanding Screenwriting' - FA/FILM 4501 12.0, Fall and Winter Terms, 2002-2003 [PDF]

open access: yes, 2002
Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full-year course for advanced students of screenwriting, meeting for six hours weekly ...
Cameron, Evan Wm.
core  

Following the Balibo massacre’s whale

open access: yesPacific Journalism Review, 2009
Early on in Tony Maniaty’s Shooting Balibo we come across Herman Melville, Michelangelo Antonioni and John Dos Passos. We quickly get the message that this is as much a journey of the imagination as it is a travelogue, memoir or investigation.
Marcus O'Donnell
doaj   +1 more source

DizerOUmostrar, em Wittgenstein, e A Tetralogia da Incomunicabilidade, de Antonioni

open access: yesOuvirOUver, 2017
Os filmes “A Aventura” (1960), “A Noite” (1961) e “O Eclipse” (1962), de Michelangelo Antonioni, não foram premeditadamente concebidos como uma trilogia, mas, ainda que à revelia do diretor, são comumente agrupados como a “Trilogia da Incomunicabilidade”
Ana Paula Grillo El-Jaick
doaj   +1 more source

Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky

open access: yesCinéma & Cie
In the process of the emancipation of film music that took place in the first decades after World War II, the filmography of Michelangelo Antonioni and Andrei Tarkovsky offers multiple points of interest.
Gabriele
doaj   +1 more source

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