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Pielgrzymując do Zabriskie Point - Antonioni i sielanka zwana USA
Zabriskie Point Michelangela Antonioniego – film poświęcony politycznym i kulturowym niepokojom w USA w późnych lat 60. – nie tylko był komercyjną porażką, ale również został całkowicie zniszczony przez amerykańskich (i nie tylko amerykańskich) krytyków.
Sławomir Masłoń
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Heavy weather: Michelangelo Antonioni, Tsai Ming-liang, and the poetics of environmental sound
While recent scholarship has done much to address the long-standing visual bias of film studies, there is perhaps one aspect of the film soundtrack that has remained relatively neglected by critical enquiry: namely, the use of sound effects, and in ...
Birtwistle, A.
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Eros e a Ciência da Informação
Experimentação sobre o deslizamento de planos entre filosofia, Ciência da Informação e Artes por meio da trilogia da incomunicabilidade formada pelos filmes dirigidos por Michelangelo Antonioni, com o objetivo de delinear e experimentar maneiras de ...
Solange Puntel Mostafa +2 more
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The Throbbing Eye: Monica Vitti's Writings on Art
This article analyzes Monica Vitti’s writing production related to art. By drawing from different sources from the mid-1990s – an art column held on the magazine «Cahiers d’Art» (L’occhio innocente [The innocent eye] and her autobiographical texts (Il ...
Giulia Simi
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Necro- y Geopolítica: "El Reportero", de Michelangelo Antonioni
Los soportes de este artículo son análisis de dos tipos de textos visuales situados en África. Comienza centrándose en la película de Michelangelo Antonioni El Reportero (1975), un film sobre un drama personal y cartográfico simultáneamente, que implica
Michael J. Shapiro
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Bialikiewicz bada fenomen aktorstwa Moniki Vitti w kontekście ról, które zagrała w filmach Antonioniego. Dodaje, że Antonioni traktował aktora jako znak wypełniający przestrzeń stworzoną przez reżysera.
Barbara Bialikiewicz
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Simona Busni, Michelangelo Antonioni. L'alienista scettico
Recensione del volume di Simona Busni, "Michelangelo Antonioni.
tognolotti
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Les limites du visible dans le cinéma de Michelangelo Antonioni
Our research focuses on Michelangelo Antonioni’s cinema and his way of exploring the limits of the visible through different modalities: effects of matter, effects of form, but also effects of obstruction to the gaze, veiling of the gaze. Each section of
Thomas, Logan
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Following the Balibo massacre’s whale
Early on in Tony Maniaty’s Shooting Balibo we come across Herman Melville, Michelangelo Antonioni and John Dos Passos. We quickly get the message that this is as much a journey of the imagination as it is a travelogue, memoir or investigation.
Marcus O'Donnell
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky
In the process of the emancipation of film music that took place in the first decades after World War II, the filmography of Michelangelo Antonioni and Andrei Tarkovsky offers multiple points of interest.
Gabriele
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