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Gutek: Intelligent Revision Algorithms
IEEE AccessThis paper introduces Gutek, a novel open-source framework designed to optimize the learning process through intelligent revision algorithms. Gutek is built on a low-code architecture that facilitates rapid customization and extension with minimal ...
Lukasz Galka
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‘Aby Warburg’s Pathosformel as methodological paradigm’ [PDF]
Journal of Art Historiography, 2013 This paper explores the differing positions Warburg occupies within Humanities and Social Sciences fields to demonstrate his cross-disciplinary relevance.
Colleen Becker
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A close look at two recent critical texts of Plautus [PDF]
, 2011 de Melo, Wolfgang
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Para verte mejor américa latina y atlas mnemosyne. Dos proyectos en torno al montaje de imaginarios a través de la fotografía [PDF]
, 2016 La propuesta de esta investigación consiste en establecer una relación crítica y comparativa de dos programas filosófico-estéticos, alejados tanto en su naturaleza temática como en su momento de aparición pero que, sin embargo, coinciden en la exhibición
Muñoz, Bárbara
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The Power of Images and the Logics of Discovery in Psychiatric Care. [PDF]
Brain Sci, 2022 Stanghellini G.
europepmc +1 more source
Stasis-theory in Homeric commentary [PDF]
, 1993 (i) Analysis of the small number of references to the rhetorical theory of stasis (issue-theory) in the Homeric scholia shows that they assume a modified version of the theory of Athenaeus, a contemporary and rival of Hermagoras of Temnos.
Heath, M.
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Visual perception of colourful petals reminds us of classical fragments [PDF]
, 2008 Colour has attracted the interest and attention of many of the most gifted intellects of all time. Ideas of early thinkers were not -and could not have been- grasped on a scientific level without knowledge of a kind that lay far in the future.
Apostolis Argiropoulos +6 more
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La huella del montaje: Aby Warburg, Aldo Van Eyck, Jerzy Grotowski: recorridos a partir del Atlas Mnemosyne [PDF]
, 2011 La tesis nace de una necesidad propia; aquella de levantar el lápiz de la mesa de trabajo y tomarse una pausa para reflexionar sobre el “qué”, el “cómo” y el “por qué” del oficio del arquitecto. Asimismo, su mayor ambición es poder volver a la misma mesa
Konstantopoulou, Dimitra
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