Results 81 to 90 of about 2,883 (192)
The contribution underlines the role of Mnēmosynē (Memory as the mother of the Muses) as a constitutive aspect of archaic poetry based on the etymological relationship between alētheia (as true knowledge) and lēthē (as forgetting), in which truth becomes
Zuzana Zelinová
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Tytułowe projekty dzieli około 50 lat. Oba bazują na ikonografii, tworząc swoiste narracje. Zestawione w nich obiekty działają na siebie, przenosząc nas do innej rzeczywistości, i choć są rozpoznawalne, to za sprawą idei oraz sposobu ich prezentowania ...
A. Polańska
semanticscholar +1 more source
Atlas de imagens e seus intervalos. Uma constelação de conceitos flutuantes
À semelhança do Atlas de Mnemosyne definido por Warburg e investigado por Didi-Huberman, este texto utiliza a ideia de constelação para tratar os intervalos entre visualidades como espaços capazes de gerar experiências singulares dentro dos processos ...
Wolney Fernandes
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Chronos and the moires. Readings on temporality in greek mythology
This article is based on two notions of temporality, the circular one and the linear one. From a hermeneutical approach, it traces the presence of both concepts of time in two Greek myths: Chronos (who represents the cosmic and natural time) and the ...
Olaya Fernández Guerrero
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PRANAS: A New Platform for Retinal Analysis and Simulation
The retina encodes visual scenes by trains of action potentials that are sent to the brain via the optic nerve. In this paper, we describe a new free access user-end software allowing to better understand this coding.
Bruno Cessac +6 more
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“And the Script Sounds”: Literary Hermeneutics and Imaginary Listening
Friedrich Hölderlin’s late hymns Patmos (first version) and Mnemosyne (early draft) create an intriguing tension between the “solid letter” that must be deciphered faithfully and the evocation of a “sounding script” that, together with an equally ...
Rolf J. Goebel
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Technique and image in Aby Warburg
In this article a specific kind of access to Aby Warburg’s work is intended through the idea of “technique”. Notions such as “Denkraum”, “image” and “magic” are read in a manner that links the artistic technique with the Warburg’s critique of technique ...
Néstor Facundo Cognigni
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