Results 21 to 30 of about 21,859 (207)

Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero

Aisthesis, 2012
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”.
Manuela Pallotto
doaj   +5 more sources

Quality Certification in Data Acquisition for Cultural Heritage: The Power of Paradata for High Quality Digital 3D Cultural Heritage Assets [PDF]

The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
Published in 2022, the European Commission’s study VIGIE 2020/654: Study on Quality in 3D Digitisation of Tangible Cultural Heritage provided a comprehensive overview of the state-of-the-art in Cultural Heritage (CH) digitisation, proposing ...
M. Ioannides, M. Ioannides, D. Baker, D. Baker, A. Agapiou, A. Agapiou, P. Siegkas, P. Siegkas, A. Cassar   +8 more
doaj   +1 more source

O Atlas Mnemosyne e o Painel Semântico

Convergências - Revista de Investigação e Ensino das Artes, 2021
O presente artigo objetiva propor diálogo entre a história da arte e a pesquisa visual em design. A pesquisa visual em design, grosso modo, utiliza-se de quadro associativo de imagem.
Daniela Queiroz Campos
doaj   +1 more source

O grotesco na Prancha 32 do Atlas Mnemosyne

Palíndromo, 2023
A categoria do grotesco é abordada através da análise da prancha 32 do Atlas Mnemosyne de Aby Warburg. Nela encontram-se imagens relativas principalmente ao Renascimento, abordando temas que atravessam os tempos desde a Antiguidade, como a dança da ...
Sandra Makowiecky, Luana Maribele Wedekin   +1 more
doaj   +1 more source

The All-Data-Based Evolutionary Hypothesis of Ciliated Protists with a Revised Classification of the Phylum Ciliophora (Eukaryota, Alveolata) [PDF]

, 2016
This work is licensed under a Creative Commons Attribution 4.0 International License. The images or other third party material in this article are included in the article's Creative Commons license, unless indicated otherwise in the credit line; if the ...
A Baroin-Tourancheau, A Fleury, A Kahl, A Stamatakis, AW Jankowski, B Hammerschmidt, BA Dehority, BJ Wicklow, BK Diggles, C Shao, C Shao, C Shao, CA Grolière, CF Bardele, CF Bardele, D Williams, DC Hoffman, DH Lynn, DH Lynn, DL Lipscomb, DL Lipscomb, E Gentekaki, EA Hewitt, F Abascal, F Gao, F Gao, F Gao, F Gao, F Ronquist, FM Affa’a, H Berger, H Shimodaira, H Shimodaira, H Wang, H Xu, ID da Silva Neto, J Gong, J Grain, J Huang, J Jiang, J Li, JM Feng, KL Kivimaki, L Li, L Li, L Li, LR Utz, LW Parfrey, M Dunthorn, M Dunthorn, M Kathol, M Miao, M Miao, M Miao, M Miao, MC Strüder-Kypke, MC Strüder-Kypke, MC Strüder-Kypke, MD Johnson, MK Shin, O Penn, OL Snoeyenbos-West, P Sun, P Sun, P Sun, P Sun, P Vdacny, P Vd’ačný, PC Bradbury, Pd Puytorac, Q Zhang, Q Zhang, Q Zhang, Q Zhang, S Agatha, S Agatha, S Gao, SL Schmidt, SM Adl, W Foissner, W Foissner, W Foissner, W Foissner, W Foissner, W Foissner, W Foissner, W Foissner, W Liu, W Miao, W Miao, W Orsi, W Song, WA Bourland, WW Liu, X Chen, X Chen, X Fan, X Fan, X Fan, X Pan, Y Gong, Y Gong, Z Fokam, Z Yi, Z Yi, Z Yi, Z Yi, Z Yi, Z Zhan, Z Zhan   +109 more
core   +1 more source

The work of Ernst H. Gombrich on the Aby M. Warburg fragments [PDF]

Journal of Art Historiography, 2011
On January 1, 1936, Ernst Gombrich arrived in London from Austria. His task was to reorganize the last of Warburg’s fragments and, in particular, to revise what was left of the incomplete mnemosyne atlas.
Katia Mazzucco
doaj  

Lethe Atlas

Ars & Humanitas, 2018
Pozaba briše meje med znamenjem in njegovim pomenom. V vizualni obliki je teoretska struktura pozabe izražena kot konotativno slepa podoba. Aby Warburg je s tem, ko je formaliziral svoj Mnemosyne Atlas, izrazil pomen zgodovinskega nepozabljenja ...
Nataša Lah
doaj   +1 more source

Introduction: Mnemosyne in Translation

TranscUlturAl, 2016
Introduction
Anne Malena
doaj   +1 more source

There Will be no Strength. (In)coherence and (Im)potency [PDF]

, 2016
In 1949, Czesław Miłosz spent a few days in Wroclaw, which was still in ruins after WWII. Six years later Miłosz wrote an interesting poem entitled Pokój (The Room) and created a symbolical vision of the city.
Antoniuk, Mateusz
core   +3 more sources

Expert Memories: The Professional Construction of the Past and the Mnemonic Making of Occupations

Journal of Management Studies, EarlyView.
Abstract This article introduces the special issue on occupations and memory in organizations. To foster increasing collaboration from scholars from both fields, we offer a general argument connecting memory and occupations on two levels. At the societal level, we show how memory experts, such as historians, archivists, and museologists, have played a ...
Diego M. Coraiola, Sébastien Mena, Mairi Maclean, Roy Suddaby, Daniel Muzio   +4 more
wiley   +1 more source