Results 11 to 20 of about 186 (137)

“It’s Fucking Obvious!”

open access: yes, 2023
Critical Quarterly, Volume 65, Issue 1, Page 89-95, April 2023.
Maria Horvei
wiley   +1 more source

Warburg’s Mnemosyne Atlas as another Iconoclastic Way

open access: yesEuropean Review, 2022
There are other forms of iconoclasm besides the destruction of idols. For example, an iconoclast can be considered one who, instead of eliminating a deified image, reveals the trick of a magician. The manipulator distracts attention with the gesture of one hand while the other acts.
openaire   +1 more source

Per una critica dell’irragionevolezza. Sul concetto di funzione simbolica in Ernst Cassirer e Aby Warburg

open access: yesAisthesis, 2018
The fruitful intellectual exchange between Aby Warburg and Ernst Cassirer revolves around the concept of “symbolic function”. In particular, the concept of function that emerges from Cassirer’s early volume, Substance and Function (1910), can be applied ...
Daniela Sacco
doaj   +3 more sources

Aesthetic Form: Cassirer - Warburg [PDF]

open access: yesZbornik Radova Akademije Umetnosti
This paper examines and compares the concept of the symbol in the work of Ernst Cassirer and Aby Warburg, two thinkers who collaborated and influenced one another through their association at the Warburg Institute.
Neimarlija Lamija
doaj   +1 more source

Lethe Atlas

open access: yesArs & Humanitas, 2018
Pozaba briše meje med znamenjem in njegovim pomenom. V vizualni obliki je teoretska struktura pozabe izražena kot konotativno slepa podoba. Aby Warburg je s tem, ko je formaliziral svoj Mnemosyne Atlas, izrazil pomen zgodovinskega nepozabljenja ...
Nataša Lah
doaj   +1 more source

Zooming Mnemosyne Notes on the Use of Detail in the Mnemosyne Atlas

open access: yes, 2022
In this contribution Zanon investigates the use of detail as a scholarly tool in Warburg's corpus. In the first phase of an ongoing study, the author makes a recognition of the cases in which the detail of an image in the Atlas is enlarged and juxtaposed to its original, highlighting the different visual strategies exploited by the scholar to develop ...
openaire   +2 more sources

Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero

open access: yesAisthesis, 2012
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”.
Manuela Pallotto
doaj   +5 more sources

As “Mnemosyne(s)” de Aby Warburg: Entre Antropologia, Imagens e Arte

open access: yesPoiésis, 2011
Tornou-se urgente repensar o papel das imagens e da Arte em uma necessária reformulação do ofício antropológico. O presente ensaio situa Aby Warburg - precisamente um historiador da Arte e um antropólogo – e a dupla dimensão de sua obra Mnemosyne: tanto ...
Etienne Samain
doaj   +1 more source

THE GHOSTS OF IMAGE: FROM WRITERS’ MUSEUMS TO THE MNEMOSYNE ATLAS

open access: yesMoment Journal, 2022
In this paper we aim, by opening up to exploration the possible definitions or aspects of the concept of image, to demonstrate that the state of emotion and the truth described by Gilles Deleuze as the ideal essence of signifiers of art is in fact manifested in the image.
openaire   +1 more source

Migrant Images. Refugees between Pathos and Montage

open access: yesOpen Cultural Studies, 2018
The article is an attempt to explain the basic methodological principles behind the project of the online visual platform called Refugee Atlas. The crucial issue discussed here is the relation between the work on the atlas and the legacy of German art ...
Mościcki Paweł
doaj   +1 more source

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