Results 11 to 20 of about 164 (155)

Image of the Solovetsky monastery on the Old Believers’ and “Niconian” icons

open access: yesРоссийский журнал истории Церкви, 2022
The image “The Hermitage of the Solovky Miracle Workers” appeared in Russian icon painting in the middle of the 16th century and developed over the course of 17th — 18th centuries.
Yulia N. Buzykina
doaj   +1 more source

Detection of potential biodeterioration risks for tempera painting in 16th century exhibits from State Tretyakov Gallery.

open access: yesPLoS ONE, 2020
In this study, we investigated biodeterioration of materials used in tempera painting by analyzing the structure of the microbiome in ancient tempera paintings exhibited in State Tretyakov Gallery, Moscow, Russia.
Alexander Zhgun   +6 more
doaj   +1 more source

A Comparative Study of Tree Imagery in David Jones’s Paintings and Poems in the Light of Panofsky’s Iconology [PDF]

open access: yesمطالعات بین‌رشته‌ای ادبیات، هنر و علوم انسانی
David Jones, the British modern poet-painter, has exploited the elements of nature, particularly the motif of the tree, in both his verbal and visual language.
Houra Adel   +3 more
doaj   +1 more source

The Role of Central Asian Traditions in Mongolian Fine Arts

open access: yesSpace and Culture, India, 2018
The article considers the role of Central Asian traditions in the formation and development of Mongolian fine arts. The authors reveal the significance of various factors for the formation of the original stylistics, which manifested itself in the ...
Kseniya Aleksandrovna Melekhova   +4 more
doaj   +1 more source

Spaces, Times, Architectures. the Elements of the Constructive Phenomenon

open access: yesTechne, 2020
Architecture represents a primary hourglass marking the passage of time. It elevates the city to a preferred theatre for such representation, «[…] human time will never conform to the implacable uniformity or fixed divisions of clock time»1.
Emilio Faroldi
doaj   +1 more source

From Domestic Devotion to the Church Altar: Venerating Icons in the Late Medieval and Early Modern Adriatic

open access: yesReligions, 2019
Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular ...
Margarita Voulgaropoulou
doaj   +1 more source

Holy Horror: Medicine, Martyrs, and the Photographic Image 1860–1910

open access: yes19, 2017
Using examples from the archives of Barts Pathology Museum in London, this article identifies and explores a trend in early medical photographs for adopting the visual codes of religious imagery, particularly depictions of martyred saints.
Treena Warren
doaj   +2 more sources

The great leveller: Political and figural ambiguities of equality

open access: yesCogent Arts & Humanities, 2017
If we compare it with the fellow notion of liberty, equality has an ambivalent place in modern political thinking. Whilst it counts as one of the fundamental norms, many think that equality is valuable only as a way to realise some features of liberty. I
Jean-Philippe Deranty
doaj   +1 more source

All that jazz

open access: yesAkademisk Kvarter, 2015
When Baker was offered an opportunity to move to, Paris, for her dance talents, she did not hesitate to take the chance. Baker arrived in Paris the summer of 1925, during the height of France’s obsession with American jazz music and all things exotic ...
Gara L. Lampley
doaj   +1 more source

Structure‐forward targeting of claudins with synthetic binders

open access: yesFEBS Letters, EarlyView.
Claudins form the paracellular barriers between epithelial and endothelial tissues at tight junctions and are targets for molecular binders with the goal of modulating barrier permeability. Claudin‐binding molecules are relevant in drug delivery or in altering claudin interactions with disease‐causing proteins.
Alex J. Vecchio
wiley   +1 more source

Home - About - Disclaimer - Privacy