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Religious Art [PDF]

open access: yesMatn/Pizhūhī-i Adabī, 2004
To understand religion, spiritual man , and his inside world , requires true recognition of human culture and civilization, religious civilization in particular , which are rooted in his history and religious beliefs.
mojtaba motahari
doaj   +2 more sources

Aesthetics of recognition in contemporary religious art

open access: yesChurch, Communication and Culture, 2023
This paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art.
Guillermo Gómez-Ferrer   +1 more
doaj   +3 more sources

“Pro-Raphaelites”: The Classical Ideal in Religious Art and the Agency of Artworks in Estonia from 1810 to 1840

open access: yesArts, 2023
This article analyzes Baltic German religious art based on examples from Estonia in the first half of the nineteenth century, focusing on artistic networks and the reclamation of a Renaissance classical ideal.
Liisa-Helena Lumberg-Paramonova
doaj   +3 more sources

Disinterestedness in Aesthetics; A Comparative Study Between The Views of Avicenna and Kant [PDF]

open access: yesحکمت سینوی, 2021
Disinterestedness in the aesthetics means that the aesthetic judgment should be free or pure of any interests including cognitive, moral, and beneficial satisfactions. In other words, the aesthetic judgments should be grounded in disinterestedness in the
Mahdi Bahrami
doaj   +1 more source

Hellenic and Hellenistic Origins in the Aesthetics of Pseudo-Dionysius [PDF]

open access: yesJournal of Philosophical Investigations, 2022
Text This article studies the Hellenic and Hellenistic sources of Pseudo-Dionysius on Beautiful, and its purpose is to clarify the extent of the influence of the philosophy of Plato, Aristotle, Plotinus and Proclus on aesthetics in the thought system of ...
Seyyed Mohsen Mousavi
doaj   +1 more source

Emotions in Response to Artworks According to Ibn Sīnā's Philosophy [PDF]

open access: yesحکمت سینوی, 2021
We aim to explore emotions in response to artworks according to Ibn Sīnā's philosophy. To arouse emotions and imagination are the main features that define an artwork in Avicennian philosophy.
Maryam kheradmand   +2 more
doaj   +1 more source

The Concept of Beauty According to the Avicenna's Thoughts Based on The Studies of Pleasure [PDF]

open access: yesحکمت سینوی, 2020
Avicenna's ideas on pleasure are broader and deeper than the concept of beauty and general thoughts on aesthetics. In some of his most important works, he tried to present an exact view of pleasure. Although the concept of most of these texts is the same,
Mahdi Bahrami
doaj   +1 more source

“Ritual and Magic” in Buddhist Visual Culture from the Bird Totem

open access: yesReligions, 2022
Despite numerous research findings related to medieval Chinese Buddhism, the witchcraft role of bird totems in Buddhist history has not received sufficient attention.
Zhilong Yan, Aixin Zhang
doaj   +1 more source

Introduction to the Special Issue: Seeing and Reading: Art and Literature in Pre-Modern Indian Religions

open access: yesReligions, 2021
Relationships between text and image in pre-modern South Asia1 have been both ignored and exploited throughout the history of western scholarship [...]
Sonya Rhie Mace, Phyllis Granoff
doaj   +1 more source

The Formative Elements of the Sense of Presence and Its Impact on the Identity of the Users of Video Games [PDF]

open access: yesTaḥqīqāt-i Farhangī-i Īrān, 2014
Nowadays video games have provided an enriched environment for their users to make a sense of presence in interactive media. A sense of presence in the virtual space of video games leads to some sort of twin-concept or even further the unity of the user ...
Behroz Minaei, Ali Razi zade
doaj   +1 more source

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