Results 21 to 30 of about 25,136 (265)
Religious art and the public in the Principality of Serbia (1830-1882) [PDF]
Zbornik Radova Filozofskog Fakulteta u Prištini, 2022 In the Principality of Serbia in the 19th century, the Orthodox Church represented a significant entity and had a privileged position as a state and national institution.
Kostić Ana D.
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The future of parish churches in Flanders, Belgium: a dialogue on municipality level
In_Bo, 2017 This paper provides an overview of the actual discussion on the future of circa 1800 parish churches in Flanders, the northern Dutch-speaking part of Belgium.
Jonas Danckers +2 more
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, 2021 Based on comparative ethnographic research in four countries and three continents, Butinage: The Art of Religious Mobility explores the notion of "religious butinage" as a conceptual framework intended to shed light on the dynamics of everyday religious practice.
Gez, Yonatan N. +3 more
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Taevavõtmed ja kristusekäed – taimed lõunapoolse Kesk-Euroopa reformatsioonieelses kunstis [PDF]
Mäetagused, 2013 One of the characteristics of the 15th–16th-century pre-Reformation sacral art in southern central Europe, as well as in the Netherlands and Italy, is the multitude of natural plant depictions.
Ülle Sillasoo
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Fronteras de la Historia, 2021 The text seeks to decode the meaning of the closed eyes used in New Spain portraits of religious women who professed votes under strict orders, especially in the 18th century.
Nathaly Rodríguez Sánchez
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BMC Public Health, 2023 Background Optimum adherence to antiretroviral therapy (ART) is crucial in managing HIV. However, some people’s religious beliefs can influence how they deal with HIV and the psychosocial factors influencing their adherence to ART, such as disclosure ...
Ivo Nchendia Azia +3 more
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Behavioral Sciences, 2022 In the history of the Western world, there has always been an association between good and beautiful. Starting from a brief history of beauty, two questions arise: is beauty linked to good even in art?
Sara Valentina Schieppati +4 more
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The Artistic Representation of Jesus in Hermann Cohen's Aesthetics
RUDN Journal of Philosophy, 2021 Cohen deals with the question of the possibility for art to represent God or the divine in some of his works, throughout all his philosophical production, but obviously above all in his main aesthetic work, sthetik des reinen Gefhls (1912).
Ezio Gamba
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A Comparative Study of the Relationship of Kant's Theory of the Sublime with Paintings Related to the Images of Mary and Christ in the Byzantine and Gothic Periods [PDF]
هنر اسلامی, 2019 The sublime is at the heart of Kant's aesthetic philosophy. According to Kant it refers to infinite and infinite conceptions such as time, death, space, and the spiritual world; it refers to greatness that is superior to any comparison and beyond any ...
Peyman Alizadeh Oskuie +4 more
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L’Inhabitation trinitaire chez Thérèse d’Avila, objet d’une théologie en histoire de l’art ?
Perspective, 2021 “Inhabitation”, from the Latin inhabitare, designates the fact of inhabiting – in the sense of dwelling – in another. In Christian theology, God is thus considered to dwell in the human soul in various ways (presence, word, covenant, breath, among others)
Alysée Le Druillenec
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