Results 1 to 10 of about 743 (209)

Review of Walter Frisch. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press

open access: greenCurrent Musicology, 2005
Long admired for judicious analysis steeped in history, from Schoenbergian Brahms to Brahmsian Schoenberg, Walter Frisch, in German Modernism: Music and the Arts, topples a historiography in place for at least sixty years.
Karen Painter
doaj   +2 more sources

The ideology of moderated modernism in Serbian music and musicology [PDF]

open access: diamondMuzikologija, 2007
The term ′moderated modernism′ has been current for quite some time in Serbian music historiography, but there have been only a few attempts to define it. I shall try to define the term, introduce some of its key concepts and features and demonstrate its
Medić Ivana
doaj   +3 more sources

The Routledge Research Companion to Modernism in Music

open access: diamondMuzikološki Zbornik, 2020
Urediti zbornik na takó izmuzljivo temo, kot je »modernizem v glasbi«, je precej zahtevna naloga, ki sta ji bila urednika Björn Heile in Charles Wilson več kot kos z delom The Routledge Research Companion to Modernism in Music.
Leon Stefanija
doaj   +3 more sources

THE CONTROVERSY «RELIGIOUS MODERNISM / RELIGIOUS FUNDAMENTALISM» AND THE LITURGICAL MUSIC OF PROTESTANT CHURCHES IN MODERN RUSSIA

open access: diamondКонцепт: философия, религия, культура, 2019
For some Protestant churches the development logic is characterized by the alternation of periods of institutionalization of religious life and periods characterized by a desire to return to the foundations of the Christian faith.
A. A. Belomytsev
doaj   +3 more sources

Sublime borders: modernism, music and the negative

open access: diamondPerspectiva Filosófica, 2017
 “After the fall of formal beauty, the sublime was the only aesthetic idea left to modernism” (Adorno 1997: 197). Positioning at its core the category of the sublime, the modernist aesthetic famously engenders a problematic relationship between music ...
Mauro Fosco Bertola
doaj   +3 more sources

Review of Daniel Albright. 2000. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press

open access: greenCurrent Musicology, 2002
In their introduction to Modernism: 1890-1930, Malcolm Bradbury and James McFarlane acknowledge the inevitable limitations of studies on early twentieth-century literature: "Perhaps the most any account can offer," they warn, "is a personal or at least ...
Ruth Longobardi
doaj   +2 more sources

Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context [PDF]

open access: yesMuzikologija, 2022
In this paper, the territorial frameworks are set with the aim of forming a regional histor­ical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music historiographies.
Sovtić Nemanja
doaj   +1 more source

Different shapes of modernism/neoclassicism: Case study of Dušan Radić’s creative output [PDF]

open access: yesMuzikologija, 2006
This paper deals with musical neoclassicism in the context of modernism, and shows that some neoclassical features, usually considered to be reactionary and retrograde, could and should be understood as modernist.
Mikić Vesna
doaj   +1 more source

Postmodern Aspects of Electronic and Multimedia Music

open access: yesJurnal Kajian Seni, 2020
Modernism spirit in the music of doing something new, create innovation and so on now facing an obstacle because material progression in new music become smaller and smaller.
Septian Dwi Cahyo
doaj   +1 more source

The ideology of Yugoslav nationalism and primordial modernism in interwar music [PDF]

open access: yesMuzikologija, 2011
In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia.
Atanasovski Srđan
doaj   +1 more source

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