Results 21 to 30 of about 73,716 (353)
Fear and the musical avant-garde in games: Interviews with Jason Graves, Garry Schyman, Paul Gorman and Michael Kamper [PDF]
© 2014 Intellect Ltd Article. If you have ever experienced the cold chill of fear when watching a film or playing a video or computer game, it is highly probable that your responses have been manipulated by composers exploiting the musical resources of ...
Mitchell, Helen R.
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Sublime borders: modernism, music and the negative
“After the fall of formal beauty, the sublime was the only aesthetic idea left to modernism” (Adorno 1997: 197). Positioning at its core the category of the sublime, the modernist aesthetic famously engenders a problematic relationship between music ...
Mauro Fosco Bertola
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The Routledge Research Companion to Modernism in Music
Urediti zbornik na takó izmuzljivo temo, kot je »modernizem v glasbi«, je precej zahtevna naloga, ki sta ji bila urednika Björn Heile in Charles Wilson več kot kos z delom The Routledge Research Companion to Modernism in Music.
Leon Stefanija
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The compass revisited: Rewriting histories of music in the south [PDF]
The history of music in the countries of Southern Europe has, in general, been examined either from the West or from the East. This has had to do with traditional and univestigated assumptions of divisions on religious and linguistic grounds ...
Moody Ivan
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Art of Jazz: FORM / PERFORMANCE / NOTES
If American modernism had a soundtrack, it would be jazz. A homegrown genre, its music came to define the burgeoning northern cities, the cultural forms of black expression, and an avant-garde impetus to question established boundaries.
Kelsey Gustin
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Beyond Postmodernism? Prince and Some New Aesthetic Strategies
Former postmodernist Prince’s album Musicology (2004) re-occupies authorship and history, evoking a »real«, non-technological kind of music in the line of funk and hip-hop.
Christian Bielefeldt
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Nestor Nyžankivskyj, ukrajinský žák Vítězslava Nováka
The study provides the basic biographical data and evaluation of the work of a West Ukrainian composer and pianist Nestor Nyzhankivsky (1893–1940), who was educated in music in Lviv and Vienna.
Petr Kalina
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After zero hour: States as “custodians of universal human culture,” or “guardians of advanced art” [PDF]
The emergence of radically new, avant-garde movements in German music and throughout Western Europe after WW2 has often been seen as expressing a strivings to create on a tabula rasa, in order to create distance from the horrors of the recent ...
Milin Melita
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Realism, modernism, and the spectre of Trotsky, part 2: Greenberg [PDF]
No abstract ...
Davidson, Neil
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Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum
Andy Hamilton’s Aesthetics and Music is an unusual concoction: one part history of the aesthetics of music, one part review of recent work in the Analytic philosophy of music, and one part original contribution to musical aesthetics. Published as part of
Brian Kane
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