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Digital images of She Kills Monsters, a Qui Nguyen play presented by Whittier College\u27s Theater Department. The play ran February 23, 24, 25, and 26. Images were taken by the Theatre Department.https://poetcommons.whittier.edu/monsters/1031/thumbnail ...
Whittier College
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This chapter provides a general overview of the issues surrounding semantic monsters. It outlines the basics of Kaplan’s framework and spells out how and why the topic of “monsters” arises within that framework. The chapter distinguishes four notions of a monster and shows why they all coincide within Kaplan’s framework.
Brian Rabern, Rabern, Brian
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Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are ...
Sabine LeBel
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For every generic type of monster—ghost, demon, vampire, dragon—there are countless locally specific manifestations, with their own names, traits, and appearances.
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Figurations of Alterity: an Encounter with the Archive
In this work I ponder about the archive based on three images from the late nineteenth and early twentieth centuries: the drawing of a monster from the Teratology collection of the Museo Nacional de México preserved today in the Biblioteca Nacional de ...
Frida Gorbach
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Kon Satoshi and Japan’s Monsters in the City
This article offers an analysis of Kon Satoshi’s use of monsters in his 2004 animated television series Paranoia Agent (Mōsō Dairinin). Focussing on the bat-wielding figure of Shōnen Batto and a cuddly pink doll called Maromi, it is shown how Kon Satoshi
Chris Perkins
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Logica delle deviazioni. Dal pensiero magico alla scienza empirica
This essay aims to deal with early forms of skepticism, which naturalized the animal Kingdom by removing it from the moral sphere of religious spiritualism.
Marina Mascherini
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Introduction: Monsters and Change
This chapter introduces the volume and defines monsters as embodiments of cultural moments. It proposes different avenues for the investigation of how monsters and change intersect: (1) emergence, (2) adaptation, (3) appropriation, (4) amalgamation, (5 ...
Presterudstuen, Geir-Henning (R17327) +4 more
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Other Ethics: Decentering the Human in Weird Horror
Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its position as simultaneously same and different, both self and other at the same time.
Marianne Gunderson
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When compulsions and obsessive thoughts took over her world, a graduate student found strength in her identity as a scientist.
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