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Moscow Conceptualism, 1975–1985

As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics.
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Komar and Melamid: works from the transition period in the context of Moscow Conceptualism

2013
The Soviet-born American artists Vitaly Komar and Alexander Melamid formed their artistic partnership in Moscow in 1965. Over the course of almost 40 years of collaboration, they created various artworks commenting on power and popular culture using a wide range of media.
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A private space in Soviet nonconformist art on the example of Moscow conceptualism

Vestnik of Saint Petersburg State University of Culture
In conditions of exclusion from the official exhibition culture, the practice of apartment exhibitions and conversations is being formed in the circle of the Soviet underground. The topic of art outside the museum raises a few questions that are rarely addressed in contemporary art criticism.
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Groys’s Moscow Conceptualism

Art History, 2011
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Moscow conceptualism in context

Choice Reviews Online, 2011
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Moscow Conceptualism in the 1980s

2015
Martin, Olga, Hänsgen, Sabine
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Conceptual Framework of Physical Culture and Recreation and Mass Sports Work at Moscow Pedagogical State University

Prepodavatel XXI vek, 2021
Artem M. Dubov   +3 more
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