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Laughter in Moscow Conceptualism: Locating Prigov's Irony within the Conceptualist Milieu
Russian Literature, 2014Abstract The paper continues the author's efforts to research the tricky relationship of Moscow Conceptualism with the issues of irony and laughter. The role of language acquires a unique position and in a certain way structures the conceptualist universe of carnivalesque laughter. Using the notion of cognitive dissonance, the paper offers a parallel
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Moscow Conceptualism, 1975–1985
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics.openaire +1 more source
Komar and Melamid: works from the transition period in the context of Moscow Conceptualism
2013The Soviet-born American artists Vitaly Komar and Alexander Melamid formed their artistic partnership in Moscow in 1965. Over the course of almost 40 years of collaboration, they created various artworks commenting on power and popular culture using a wide range of media.
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A private space in Soviet nonconformist art on the example of Moscow conceptualism
Vestnik of Saint Petersburg State University of CultureIn conditions of exclusion from the official exhibition culture, the practice of apartment exhibitions and conversations is being formed in the circle of the Soviet underground. The topic of art outside the museum raises a few questions that are rarely addressed in contemporary art criticism.
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Moscow Conceptualism and the (Mis)Translation of American Art
Art in Translation, 2022openaire +1 more source