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Komar and Melamid: works from the transition period in the context of Moscow Conceptualism
2013The Soviet-born American artists Vitaly Komar and Alexander Melamid formed their artistic partnership in Moscow in 1965. Over the course of almost 40 years of collaboration, they created various artworks commenting on power and popular culture using a wide range of media.
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A private space in Soviet nonconformist art on the example of Moscow conceptualism
Vestnik of Saint Petersburg State University of CultureIn conditions of exclusion from the official exhibition culture, the practice of apartment exhibitions and conversations is being formed in the circle of the Soviet underground. The topic of art outside the museum raises a few questions that are rarely addressed in contemporary art criticism.
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2017
The article focuses on a peculiar case of verbal and pictorial intertextuality in the art of Russian conceptualism. It analyses some of the intertextual layers related to Ilya Kabakov’s work The Beetle (1982), which combines verbal and visual art.
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The article focuses on a peculiar case of verbal and pictorial intertextuality in the art of Russian conceptualism. It analyses some of the intertextual layers related to Ilya Kabakov’s work The Beetle (1982), which combines verbal and visual art.
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Andrei Monastyrskii's post-semiosis and the tradition of Moscow conceptualism: Ekphrasis and the problem of visual-ironic suggestion [PDF]
info:eu-repo/semantics ...
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Laughter in Moscow Conceptualism: locating Dmitry Prigov's Irony within the Conceptualist milieu
2014The paper continues the author's efforts to research the tricky relationship of Moscow Conceptualism with the issues of irony and laughter. The role of language acquires a unique position and in a certain way structures the conceptualist universe of carnivalesque laughter.
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