Results 71 to 80 of about 131 (112)
The Body as Stratum: Excavatory Gestures in Moscow Conceptualism
Russian and East European Studiesopenaire +1 more source
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The Strategy of Shimmering in Moscow Conceptualism
Russian Literature, 2018Abstract This paper argues that “shimmering”, in the discourse of the Moscow Conceptual group, distinguishing them from their Noncoformist peers, represents a strategic counter-ideology of principled tergiversation designed to prevent the consolidation of the authoritative voice within the artwork.
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Reassessing Moscow Conceptualism: The View from the Nest
ARTMargins, 2022Abstract This essay argues for a radical reassessment of Moscow Conceptualism to incorporate the underappreciated Nest, the group of artists Gennady Donskoy, Mikhail Roshal, and Victor Skersis active in Moscow from 1974 to 1979. The Nest's emphasis on models of shared artistic investigation, audience autonomy, and unconstructed aesthetic
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Laughter in Moscow Conceptualism: Locating Prigov's Irony within the Conceptualist Milieu
Russian Literature, 2014Abstract The paper continues the author's efforts to research the tricky relationship of Moscow Conceptualism with the issues of irony and laughter. The role of language acquires a unique position and in a certain way structures the conceptualist universe of carnivalesque laughter. Using the notion of cognitive dissonance, the paper offers a parallel
Dennis Ioffe
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Moscow Conceptualism, 1975–1985
As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics.exaly +2 more sources
Moscow Conceptualism and the (Mis)Translation of American Art
Art in Translation, 2022exaly +2 more sources
2022
Abstract The circle of artists, poets, and theorists that became known as Moscow Conceptualists united several aesthetic trends originating in the underground of the 1960s. Its main practitioners and theorists—such as Eric Bulatov, Boris Groys, Ilya Kabakov, Vitaly Komar and Alexander Melamid, Andrei Monastyrsky, Viktor Pivovarov, Dmitry
Daniil Leiderman, Mark Lipovetsky
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Abstract The circle of artists, poets, and theorists that became known as Moscow Conceptualists united several aesthetic trends originating in the underground of the 1960s. Its main practitioners and theorists—such as Eric Bulatov, Boris Groys, Ilya Kabakov, Vitaly Komar and Alexander Melamid, Andrei Monastyrsky, Viktor Pivovarov, Dmitry
Daniil Leiderman, Mark Lipovetsky
openaire +1 more source