Results 81 to 90 of about 131 (112)
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Journal of Adult and Continuing Education, 2021
The article is devoted to the current state of continuing medical education for general practitioners in the city of Moscow and is based on a survey of general practitioners working in Moscow. Results demonstrate a lack of satisfaction with the organisation and content of training in its previous format, the absence of significant changes in the ...
TE Morozova +6 more
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The article is devoted to the current state of continuing medical education for general practitioners in the city of Moscow and is based on a survey of general practitioners working in Moscow. Results demonstrate a lack of satisfaction with the organisation and content of training in its previous format, the absence of significant changes in the ...
TE Morozova +6 more
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‘Machrot’ vseja Rusi' by Dmitrij Prigov as a Composition of Moscow Conceptualism
Russian Literature, 1996exaly +2 more sources
Rereading Moscow Conceptualism
Slavic Review, 2016The most important Russian artistic movement of the end of the twentieth century, Moscow conceptualism has been described as sectarian, esoteric, and self-absorbed, with an affinity for substituting longwinded commentaries for visual images. Such definitions, while compelling for some participants in the movement, fail to describe adequately the work ...
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The Birth of Moscow Conceptualism from the Musical Spirit of the Russian Avant-Garde
Variations, 2016exaly +2 more sources
The Schizoid Objects of Moscow Conceptualism
2016Essay in exhibition catalogue for "'Thinking Pictures': Moscow Conceptual Art in the Dodge Collection," Zimmerli Art Museum, on view Sep 06, 2016 - Dec 31, 2016.
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History Becomes Form: Moscow Conceptualism. By Boris Groys
The European Legacy, 2012History Becomes Form: Moscow Conceptualism. By Boris Groys (Cambridge, MA: MIT Press, 2010), 198 pp. $27.95 cloth. Boris Groys's volume is not simply art criticism.
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Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism
2009The emergence in the 1970s of albums, conceptualist object-poetry, and performances that addressed a small and select audience in private studios or suburban fields is evidence that at least some artists did not seek access to the wider Soviet public or official recognition of their activities in exhibitions.
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The birth of Moscow conceptualism from the Musical spirit of the Russian Avant-Garde: the soundscapes of Moscow conceptualism and its sonoric theatre of the absurd [PDF]
, 2016 info:eu-repo/semantics ...
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