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Social Attitudes toward Cerebral Palsy and Potential Uses in Medical Education Based on the Analysis of Motion Pictures [PDF]
This study presents how motion pictures illustrate a person with cerebral palsy (CP), the social impact from the media, and the possibility of cerebral palsy education by using motion pictures. 937 motion pictures were reviewed in this study.
Marek Jóźwiak +4 more
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‘You’re ignoring the truth’ – Fatih Akın’s Polluting Paradise (2012) and Eco-Trauma Cinema
The paper provides an analysis of the documentary Polluting Paradise (2012) by Fatih Akın within the context of eco-trauma cinema. The movie depicts ecological contamination as a social problem and mutual catastrophe, exactly as the theory of eco ...
Adam Domalewski
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Główne nurty w badaniach nad filmem i religią
The article is a meta-study and provides an original typology of research on film and religion, based on Polish and English academic sources. The author proposes to divide this field of research into four main domains, which he names successively ...
Adam Domalewski
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This paper considers BBC’s Sherlock (2010-2017) to intervene in debates on European identity and the transnational circulation of popular culture. The series, one of the most recent and successful television adaptations of Arthur Conan Doyle’s novels ...
Luca Antoniazzi, Sara Casoli
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Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali
The starting point for considering the means of creating and designing a film space in Romanian New Wave cinema is the thesis that Romanian film art in the 21st century is an artistic response to the times of communism and that images of the post ...
Adam Domalewski
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Paul Fraisse’s Psychology of Rhythm: A Case for Filmology?
My contribution aims to discuss the topic of rhythm as presented by the classic psychologist and filmologist, Paul Fraisse (1911-1994) in his founding studies, to understand its scope, and to consider the possible inheritance to be spent in contemporary
Massimo Locatelli
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Sacha Polak's Dirty God and the Politics of Authenticity
Dutch director Sacha Polak’s Dirty God (2019) is the first narrative film with a female lead whose scars are real, and arguably the first to tackle the assumption that scars (especially on a woman’s body) are shameful or tragic.
Suzannah Biernoff
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Despite the advent of over-the-top platforms, linear television still remains the dominant medium in European markets. This article provides a case study of the circulation of non-French European crime series in the French televisual landscape.
Gabriele
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"Sulle tracce del crimine. Viaggio nel giallo e nero Rai / Hot on the Heels of Crime. A Journey into the World of Detectives on Rai" (Roma, Museo di Roma in Trastevere October 7, 2020 – March 31, 2021) Exhibition and Catalogue Roma: RaiLibri ...
Gabriele
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Anyone who has attempted to construct a narrative, or indeed a coherent argument, will be familiar with the troubling nature of endings to which James refers.
James MacDowell
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