Results 51 to 60 of about 1,526 (180)
A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers
Empirical Musicology Review, 2007 Music historians have observed informally that Western music became increasingly chromatic between roughly 1600 and 1900. This view is tested formally, and the results are shown to be consistent with the standard view.
Daniel Perttu
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German Life and Letters, Volume 78, Issue 4, Page 432-455, October 2025.ABSTRACT This essay develops new perspectives on Nietzsche's complex relationship with Richard Wagner by including an area of conflict that is important for the overall picture but has been overlooked in research to date: the profound insult to Nietzsche's ambitions as a composer caused by the harsh, almost scathing criticism of the musician Hans von ...
Barbara Neymeyr
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The Off‐Tonic Recapitulation in Context: a Study in Fuzziness
Music Analysis, Volume 44, Issue 3, Page 372-392, October 2025.ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Honour and humiliation: Emotional economies of war and defeat
Nations and Nationalism, Volume 31, Issue 4, Page 809-820, October 2025.Abstract The article looks at nationalism, war and defeat from a history of emotions perspective. It frames nationalism as a political programme and mindset that enlists emotions of belonging and solidarity, but also fear, anger, hatred and contempt.
Ute Frevert
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Places as refrains: A non‐constructive alternative to assemblage thinking
Transactions of the Institute of British Geographers, Volume 50, Issue 3, September 2025.Abstract Over the past 20 to 30 years, relational, post‐humanist, processual, and non‐representational approaches to space and place have gained an increasing purchase within anglophone human geography, whether underpinned by academic engagements with Western philosophy, anthropology, or indigenous thinking and praxis.
Peter Merriman
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Menurunkan tingkat stres kerja pada karyawan melalui musik
Jurnal Ilmiah Psikologi Terapan, 2014 Work stress is a form of imbalance between the physical and the psychic that can cause harm to individuals and organizations involved. Listening to Mozart classical music is one way to reduce employee stress levels.
Intan Putri Dastia Lidyansyah
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Strenae, 2018 Mozart plays the intermediary between three picture books by Maurice Sendak: Outside Over There, Dear Mili, and We Are All in the Dumps with Jack and Guy, in which Mozart is explicitly depicted. This article focuses on the last two works of this trilogy,
Gaëlle Levesque
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The effect of Mozart music on patient satisfaction during caesarean delivery: a randomised controlled trial. [PDF]
Anaesthesiol Intensive Ther, 2023 Drzymalski DM +4 more
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Improved automated perimetry performance in elderly subjects after listening to Mozart
Clinics, 2009 PURPOSE: To evaluate the performance of automated perimetry of elderly subjects naïve to AP after listening to a Mozart sonata. INTRODUCTION: Automated perimetry (AP) is a psychophysical test used to assess visual fields in patients with neurological ...
Junia Cabral Marques +3 more
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