Results 51 to 60 of about 3,468 (116)
Folklore motives in the early compositions of Nikola Borota - Radovan [PDF]
Muzikologija, 2014 The creative work of Nikola Borota - Radovan (musician, composer, lyricist, arranger and record producer, based in New Zealand - formerly from Yugoslavia) held a specific place in development of world music (poly)genre in his native homeland in ...
Jovanović Jelena
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La música renacentista como una etapa de la evolución continua del tonalismo
Ricercare, 2015 En este proyecto buscábamos ayudar a establecer si la música del Renacimiento (siglos XV y XVI), considerada “modal”, es sustancialmente diferente de la música “tonal” de siglos posteriores o si, más bien, se trata de un mismo sistema tonal que ...
Gustavo Adolfo Yepes Londoño
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Can we hear the sounds of quantum superpositions? [PDF]
Muzikologija, 2018 In this article I explore the possibility of being able to hear the sound of a quantum superposition of two sounds. What would it mean and is it feasible to explore performing an experiment that would allow us to test this notion?
Vedral Vlatko
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Radio Belgrade in the process of creating symbolic boundaries: The example of the folk music program between the Two World Wars (1929-1940) [PDF]
Muzikologija, 2013 This article deals with the process of creation of symbolic boundaries in the context of designing the folk music programs at Radio Belgrade since its foundation until the beginning of World War Two.
Vesić Ivana
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Music as intersubjectivity: A problematic for the sociology of the arts [PDF]
Muzikologija, 2016 Music has the power of establishing a sense of personal closeness and of confirming the existence of a meaningful reality. This is because it creates, or imitates a face-to face situation in which participants experience the same events during ...
Lagerspetz Mikko
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O emprego do Polyptoton por Manuel Dias de Oliveira
Revista da Tulha, 2019 Esse artigo tem como proposta apresentar alguns exemplos no uso do Polyptoton por Manuel Dias de Oliveira. Após a introdução, haverá uma breve contextualização sobre a disposição do discurso musical e das funções dessa figura. Posteriormente, por meio de
Eliel Almeida Soares +1 more
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Marcin Stańczyk’s Afterimages and Aftersounds – Reflections and Self-Reflections
Musicology Today, 2015 One of the most frequently recurring topics in Marcin Stańczyk’s (b. 1977) self-commentaries is the idea of translating the phenomenon of afterimages into music, in the form of his original concept of aftersounds. Direct inspiration for this concept came
Tabakiernik Marta
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National Dances in the Canon of Polish Culture
Musicology Today, 2016 The following dances are most commonly considered nowadays as national dances (or emblems of Polish national culture): the polonaise, the mazur, the krakowiak, the oberek and the kujawiak.
Nowak Tomasz
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