Results 11 to 20 of about 1,643 (216)
Has the Silence Been Broken? Catholic Theological Ethics and Racial Justice [PDF]
This survey discusses the emerging contours of a distinctive Catholic ethical approach to race, racism, and racial justice. Among its features are the adoption of a more structural and cultural understanding of human sinfulness, engaged intellectual ...
Massingale, Bryan
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Images de la Révolution dans l’œuvre de Jorge González Camarena
This article intends to analyze the representations of the Mexican Revolution in the work of the muralist painter Jorge González Camarena. Member of the second generation of Muralists, Camarena succeeded in creating a style which made the most of mural ...
Marie-Pierre Ramouche
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The Weird and the Urban. The aesthetic experience of ruins in Italian street art
The history of Italian street art appears to be ingrained in interstitial architectures such as empty lots or abandoned and unfinished buildings, ruins in which since the late 1990s a new generation of outsider artists coming from graffiti writing have ...
Vittorio Parisi
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Public art replacement on the Mapocho River:: erasure, renewal, and a conflict of cultural value in Santiago de Chile [PDF]
On January 18, 2011, the Museo Arte de Luz opened along Santiago’s Mapocho River. Developed by artist Catalina Rojas and the Santiago municipal government to mark Chile’s 2010 bicentenary, the light-art museum proposed to revitalize the river as a public
Morrison, Chandra
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The Spanish Civil War and the Dominican exile in the painting of Vela Zanetti
The Spanish Civil War caused the largest diaspora of contemporary Spain. Within the consequences of this dispersion, this paper proposes to analyze the transformations that took place in the painting of muralist José Vela Zanetti.
Antonio J. Canela-Ruano
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Mexican muralism in the years 1920-40 constitute an avant-garde in which the political and the esthetic are indissociable. It is an avant-garde that claims to be in a process of construction, contrary to the negative avant-garde of Dadaism; and that ...
Ana Cecilia Hornedo Marín
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Mapping a New Humanism in the 1940s: Thelma Johnson Streat between Dance and Painting
Thelma Johnson Streat is perhaps best known as the first African American woman to have work acquired by the Museum of Modern Art. However, in the 1940s−1950s she inhabited multiple coinciding roles: painter, performer, choreographer, cultural ...
Abbe Schriber
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Le muralisme des années 1930 et 1940 dans les pays du Río de la Plata
The article presents four muralist proposals in the countries of the Río of la Plata during the 1930s and 1940s: 1) Ejercicio plástico, realized in 1933 in the house of the press baron Natalio Botana by the Mexican David Alfaro Siqueiros during his stay ...
Jacques Poloni-Simard
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Projecting Pornography and Mapping Modernity in Mexico City [PDF]
Drawing on Elizabeth Grosz’s and Doreen Massey’s insights that place and gender are mutually constitutive, this article examines the articulation among the embodied city, sexual desire, and changing gender norms in the wake of the Mexican Revolution.
Sluis, Ageeth
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State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine
Russian interference and invasion in Ukraine have transformed that nation’s historical practice of mural painting. A traditional art form with deep religious and political resonance in Ukraine, murals have become an instrument for patriotic mass ...
Emma Louise Leahy
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