Results 121 to 130 of about 3,127,198 (401)
Music & Science, 2020 Over the last decades, the simulation of musical instruments by digital means has become an important part of modern music production and live performance. Since the first release of the Kemper Profiling Amplifier (KPA) in 2011, guitarists have been able
Nina Düvel +3 more
doaj +1 more source
The evolution of inharmonicity and noisiness in contemporary popular music [PDF]
Journal of New Music Research, 1-28 (2024)Much of Western classical music relies on instruments based on acoustic resonance, which produce harmonic or quasi-harmonic sounds. In contrast, since the mid-twentieth century, popular music has increasingly been produced in recording studios, where it is not bound by the constraints of harmonic sounds.
arxiv +1 more source
Boston University Chamber Chorus, Concert Choir, and Time's Arrow, March 2, 2013 [PDF]
, 2013 This is the concert program of the Boston University Chamber Chorus, Concert Choir, and Time's Arrow performance on Saturday, March 2, 2013 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Australian Journal of Social Issues, EarlyView.Abstract Aboriginal culture is both a strength and a protective factor for Aboriginal children; yet, we continue to see disparities in education, health and well‐being outcomes. To improve outcomes for Aboriginal children and families, local cultural ways of knowing, being and doing need to be incorporated into policy and practice.
Michelle Jones +5 more
wiley +1 more source
Assessing playability limits of bowed-string transients using experimental measurements
Acta AcusticaUnderstanding the dynamics of bowed-string attacks involves exploring the relationship between bow acceleration, bow force, and the generation of Helmholtz motion during transients. This study addresses the following research question: How do theoretical
Lampis Alessio +2 more
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Boston University Symphony Orchestra and Symphonic Chorus, November 18, 2013 [PDF]
, 2013 This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, November 18, 2018 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts.
School of Music, Boston University
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Australian Journal of Social Issues, EarlyView.ABSTRACT Development of cultural identity is understood to be central to well‐being; however, it is not always prioritised for children in out‐of‐home care (OOHC). This paper examines current policy and practice designed to support the cultural identity and connection of non‐Indigenous culturally and linguistically diverse children (CALD) in OOHC, who ...
Rebekah Grace +8 more
wiley +1 more source
Frontiers in Neuroscience, 2019 Recent work in interpersonal coordination has revealed that neural oscillations, occurring spontaneously in the human brain, are modulated during the sensory, motor, and cognitive processes involved in interpersonal interactions.
Auriel Washburn +10 more
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Faculty Recital: Lynn Eustis with Kevin Jones, November 11, 2014 [PDF]
, 2014 This is the concert program of the Faculty Recital: Lynn Eustis with Kevin Jones performance on Tuesday, November 11, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Liederkreis, Op.
School of Music, Boston University
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The Insistence of Blackness and the Persistence of Antiblackness in Ireland
Australian Journal of Social Issues, EarlyView.ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
wiley +1 more source