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Do Music Generation Models Encode Music Theory? [PDF]
arXivMusic foundation models possess impressive music generation capabilities. When people compose music, they may infuse their understanding of music into their work, by using notes and intervals to craft melodies, chords to build progressions, and tempo to create a rhythmic feel. To what extent is this true of music generation models?
arxiv
ALEA III Composers' Workshop, April 24, 1993 [PDF]
, 1993 This is the concert program of the ALEA III Composers' Workshop performance on Saturday, April 24, 1993 at 7:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core
Journal of Consumer Behaviour, EarlyView.ABSTRACT Artificial intelligence‐powered digital assistants (DAs) offer benefits, but their downsides can hinder user adoption and limit market potential. Although research exists on users' experiences with DAs, less is known about how user characteristics influence perceptions of a ‘dark side’—perceived creepiness.
Daniel K. Maduku +3 more
wiley +1 more source
Journal of Adolescence, Volume 94, Issue 8, Page 1051-1067, December 2022., 2022 Abstract Introduction Emotional regulation (ER) is a core variable involved in the onset and maintenance of mental health disorders; therefore, interventions targeting ER in adolescence represent a promising preventive action. The current systematic review provides a synthesis of the evidence on school‐based interventions on ER in adolescent students ...
Laura Pedrini +3 more
wiley +1 more source
Multimodal Music Generation with Explicit Bridges and Retrieval Augmentation [PDF]
arXivMultimodal music generation aims to produce music from diverse input modalities, including text, videos, and images. Existing methods use a common embedding space for multimodal fusion. Despite their effectiveness in other modalities, their application in multimodal music generation faces challenges of data scarcity, weak cross-modal alignment, and ...
arxiv
Guest Recital by Grace Feldman, viola da gamba, March 17, 1965 [PDF]
, 1965 This is the concert program of the Guest Recital by Grace Feldman, viola da gamba on Wednesday, March 17, 1965 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core
From Body Positivity and Beyond: Investigating Affective Aesthetic Atmospheres of Influencers
Journal of Consumer Behaviour, EarlyView.ABSTRACT How do influencers create content on social media that shapes consumer experiences and discourse around beauty standards? While research recognizes the power of influencers to help motivate market‐level changes, limited research has investigated this performance, particularly related to content intended to resist existing aesthetic norms. This
Kelley Cours Anderson +3 more
wiley +1 more source