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Recent Books on Music and Politics

Music & Politics, 2022
Compiled by Kai WestThe books listed in this column address music as it relates to political expression or focus on power relationships between individual musicians or musical communities and a governing authority. Readers are welcome to submit additional titles to musicandpolitics@umich.edu for possible inclusion in the next issue.
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Slippery bows and slow circuits

Musicologica Brunensia, 2017
This article is based on a keynote lecture given at the 51st International Musicological Colloquium, Masaryk University, Brno, that was part lecture, part performance.
John Richards
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Roelof Vermeulen at Philips : a search for space in music

Musicologica Brunensia, 2017
Roelof Vermeulen's career at Philips started in 1923 and ended with his retirement in 1959. He developed a stand-alone loudspeaker for Philips' first radio receiver in 1925 and was the driving force behind many developments in the field of ...
Kees Tazelaar
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The role of technology in the aesthetics of postwar serial music

Musicologica Brunensia, 2017
New ideas about music in Europe around 1950 resulted, in part, from contemporaneous research being done in electroacoustic music studios. Early serial composers, searching for a material untouched by history, turned to the basic components of sound ...
Marcus Zagorski
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Music criticism in nineteenth-century England: how did it become a profession?

Musicologica Brunensia, 2017
Of the two-dozen professions that emerged in nineteenth-century Britain, such as medicine, the law and the public service, music criticism was a late developer.
Paul Watt
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Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music

Musicologica Brunensia, 2017
Not many years ago, I gave a keynote at the SPEEC Conference at Oxford University entitled, 'music Technology, Music technology or Music Technology?' (Contemporary Music Review.
Leigh Landy
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Několik poznámek k České moderní hudbě Vladimíra Helferta

Musicologica Brunensia, 2016
The study comments on the book of Vladimir Helfert Czech modern music (1936). At the time of its release, the book met with a rather great interest of the wider, music loving, public.
Lubomír Spurný
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Vplyv a dosah myšlienok Vladimíra Helferta na slovenskú hudbu

Musicologica Brunensia, 2016
This study highlights the key relationships and the impact of Vladimir Helfert's ideas on Slovakia. A particular focus lies on the years of the joint Czechoslovak state when authentic music with unique Slovak features starts to formulate itself in the ...
Tatiana Škapcová
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C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch

Musicologica Brunensia, 2017
One of the central issues in the discourse on C. P. E. Bach's music is the relation between the public and private aspects of his work. Recent scholarship on partimenti and galant schemata (Gjerdingen 2007, Sanguinetti 2012) proposes a new view of the ...
Gilad Rabinovitch
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Die Figuralmusik in Hrabyně um die Wende des 19. Jahrhunderts – Hrabiner Inventare

Musicologica Brunensia, 2016
The study contributes on music in pilgrimage Church of the Assumption of the Virgin Mary in Hrabyně turn of the 18th and 19th century. The paper focuses on sheet of music inventories and church musical instruments (1804, 1819 and 1832).
Helena Kramářová
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