Results 11 to 20 of about 68,357 (245)

Music-theatre as music: A practical exploration of composing theatrical material based on music-centric conceptualisation of myth [PDF]

open access: yes, 2008
This thesis examines the notion of 'music-theatre as music' in its relation to myth. It is provided as an indispensable tool of critical commentary for the accompanying performances (that are included in the submission in DVD documentation) and as an in-
Zavros, Demetris
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Characteristics and effects of motivational music in exercise [PDF]

open access: yes, 2003
This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.The research programme had three principal objectives.
Priest, David-Lee
core   +5 more sources

Slippery bows and slow circuits

open access: yesMusicologica Brunensia, 2017
This article is based on a keynote lecture given at the 51st International Musicological Colloquium, Masaryk University, Brno, that was part lecture, part performance.
John Richards
doaj   +1 more source

Constructing music culture [PDF]

open access: yes, 2013
This essay explores the creative possibilities of worldbuilding applied to music. It presents anthropological approaches to analysing music culture, and settles upon four main factors (meaning – situation – performance – content) as a basis for a ...
Jokela, Mikko
core   +1 more source

Roelof Vermeulen at Philips : a search for space in music

open access: yesMusicologica Brunensia, 2017
Roelof Vermeulen's career at Philips started in 1923 and ended with his retirement in 1959. He developed a stand-alone loudspeaker for Philips' first radio receiver in 1925 and was the driving force behind many developments in the field of ...
Kees Tazelaar
doaj   +1 more source

The role of technology in the aesthetics of postwar serial music

open access: yesMusicologica Brunensia, 2017
New ideas about music in Europe around 1950 resulted, in part, from contemporaneous research being done in electroacoustic music studios. Early serial composers, searching for a material untouched by history, turned to the basic components of sound ...
Marcus Zagorski
doaj   +1 more source

Music criticism in nineteenth-century England: how did it become a profession?

open access: yesMusicologica Brunensia, 2017
Of the two-dozen professions that emerged in nineteenth-century Britain, such as medicine, the law and the public service, music criticism was a late developer.
Paul Watt
doaj   +1 more source

Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music

open access: yesMusicologica Brunensia, 2017
Not many years ago, I gave a keynote at the SPEEC Conference at Oxford University entitled, 'music Technology, Music technology or Music Technology?' (Contemporary Music Review.
Leigh Landy
doaj   +1 more source

Několik poznámek k České moderní hudbě Vladimíra Helferta

open access: yesMusicologica Brunensia, 2016
The study comments on the book of Vladimir Helfert Czech modern music (1936). At the time of its release, the book met with a rather great interest of the wider, music loving, public.
Lubomír Spurný
doaj   +1 more source

Vplyv a dosah myšlienok Vladimíra Helferta na slovenskú hudbu

open access: yesMusicologica Brunensia, 2016
This study highlights the key relationships and the impact of Vladimir Helfert's ideas on Slovakia. A particular focus lies on the years of the joint Czechoslovak state when authentic music with unique Slovak features starts to formulate itself in the ...
Tatiana Škapcová
doaj   +1 more source

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