Results 1 to 10 of about 790 (159)
The Image of Joan of Arc in the Oratorio by a. Honegger «Joan of Arc at the Stake»
Studia Universitatis Babeş-Bolyai MusicaThe article examines the oratorio genre in the work of the Forantz composers of the group of six. The focus is on the oratorio "Joan of Arc at the Stake" ("Jeanne d'Arc au bûcher") by Arthur Honegger. The aim of the article is to reveal the image of the
Baixue Ma
exaly +3 more sources
Musicologica Brunensia, 2018 This part of study deals with the oratorios performed at the holy sepulchre (sepolcri) and focuses particularly on the transfer of certain compositions or librettos and on their potential stage performances.
Jana Perutková
exaly +3 more sources
Musicologica Brunensia, 2014 In the 18th century Bohemian Lands, the oratorios were produced not only in Italian (commonly understood, according to the period sources), but also in German and Latin; the most interesting examples here are the anonymous Deus propter scelera (Prague ...
Michaela Freemanová
exaly +3 more sources
, 2011 Definizione – Etimologia Il termine deriva dal sostantivo latino tardo ōrātōrĭum, luogo di preghiera e dal verbo ōro, –āre (pregare). La sua diffusione iniziò ai primordi del Cristianesimo, senza che si sviluppasse, parallelamente, una specifica tipologia architettonica.
exaly +4 more sources
At the Crossroads between Opera and Oratorio: Biblical Themes and 19ᵗʰ Century French Opera
Studia Universitatis Babeş-Bolyai. Musica, 2023 The present study aims to investigate the delicate border between oratorios and operas based on biblical subjects, focusing on French music. A brief analysis of the period prior to the 19th century reveals that the oratorio was not one of the most ...
Noémi KARÁCSONY +1 more
doaj +1 more source
The Musical Times and Singing Class Circular, 1873 Appartient à l'ensemble documentaire ...
openaire +2 more sources
Oratorio in Rome from XVII to XVIII century
Ruch Biblijny i Liturgiczny, 2012 The new vocal-instrumental music type that actively bloomed in the period of baroque came into being partly by the activity of Saint Philip Neri. He organized services associated with singing laudi in a building specially intended for that purpose ...
Dariusz Smolarek
doaj +1 more source
Musicologica Brunensia, 2014 Although the Italian Oratorio has its origins in the spiritual exercises of Filippo Neri, in the 17th century, as a musical-dramatic genre in formal-technical terms, it approaches the form of Opera.
Johann Herczog
doaj +1 more source
GREAT MUSICAL FORMS DEDICATED TO SAINTS CYRIL AND METHODIUS
Forum Teologiczne, 2023 This article takes a closer look at the great musical forms dedicated to Saints Cyril and Methodius. These are mainly liturgical compositions related to the worship of the two saints. This group includes a medieval Mass propria (e.g. Parchment Missal no.
Piotr Towarek
doaj +1 more source
Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
Musicologica Brunensia, 2014 The oratorio was certainly not one of the favorite musical genres of the Jesuits in the 17th-18 century. The Pressburg Jesuits, however, have also performed oratorios in the 18th century, except their typical school dramas.
Ladislav Kačic
doaj +1 more source