Results 21 to 30 of about 768 (176)
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Musicology Today, 2021 The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
doaj +1 more source
Musicologica Brunensia, 2014 More than anyone else, we have Empress Eleonora II of the ducal family Gonzaga of Mantua to thank for establishing oratorios in Vienna. After her husband, Emperor Ferdinand III, died in 1657, she founded her own orchestra, around which she spent nearly ...
Marko Deisinger
doaj +1 more source
Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux
Musicologica Brunensia, 2014 There is no doubt that Johann Joseph Fux created his oratorios (with the exception perhaps of a "Oratorium germanicum" attributed to Fux which survived in the Kremsmünster monastery) for performances during season of lent at the Viennese imperial court ...
Thomas Hochradner
doaj +1 more source
GREAT MUSICAL FORMS DEDICATED TO SAINTS CYRIL AND METHODIUS
Forum Teologiczne, 2023 This article takes a closer look at the great musical forms dedicated to Saints Cyril and Methodius. These are mainly liturgical compositions related to the worship of the two saints. This group includes a medieval Mass propria (e.g. Parchment Missal no.
Piotr Towarek
doaj +1 more source
Musicologica Brunensia, 2014 After the death of Charles VI. music at the Hapsburg court in Vienna was gradual reduced by Maria Theresa. Also – similar to opera and theater – performances of oratorios were limited and no longer exclusively at the court and court society.
Elisabeth Fritz-Hilscher
doaj +1 more source
Pro Musica Sacra, 2023 Henryk Mikołaj Górecki’s profound personal religiousnessbecame the source of his deep spiritual bond with the personality of Karol Wojtyła – Saint John Paul II. The relationship between the composer and the Pope was of a special nature.
Teresa Malecka
doaj +1 more source
Оратория «Иеффай» Дж. Кариссими: становление жанрового инварианта
Вестник музыкальной науки, 2014 В данной статье предлагается опыт исследования формирования жанра оратории в эпоху барокко. В вводной части работы дается характеристика социального контекста эпохи, отношения двух основополагающих концептов Вог - Человек, которые ложатся в последствии в
Шепеленко, Наталия Борисовна
doaj +1 more source
Etudes Epistémè, 2016 The self-conscious narrator of Fielding’s Tom Jones successively compares himself to a restaurateur, a law-maker, a historian, a literary connoisseur (if not a critic…), an inventor, a soothsayer, a scholar, a traveller, etc. At no stage in the book does
Pierre Degott
doaj +1 more source
THE ART OF MARIA CEBOTARI IN THE INTERPRETATION OF THE VOCALSYMPHONIC WORKS OF THE VIENNESE CLASSICS [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 The article contains information about the achievements of M. Cebotari in the interpretation of the vocal-symphonic works of the composers of the Viennese classical era: J. Haydn, W.A. Mozart and L.
PILIPETSKII, SERGHEI
doaj
Musicologica Brunensia, 2018 This part of study deals with the oratorios performed at the holy sepulchre (sepolcri) and focuses particularly on the transfer of certain compositions or librettos and on their potential stage performances.
Jana Perutková
doaj +1 more source