Mixed feelings, mixed outcomes? When emotionally ambivalent framing enhances idea appreciation
Abstract Research Summary Despite growing interest in how linguistic strategies shape audience responses to innovative ideas, prior evidence on the benefits of using emotional language remains mixed. Building on research on emotional ambivalence and social evaluation, we introduce the concept of emotionally ambivalent framing (i.e., the combination of ...
Donato Cutolo +2 more
wiley +1 more source
Enriched Versus Standard NICU Environments and Preterm Brain Development: A Systematic Review of Structural, Diffusion, and Functional Neuroimaging Studies. [PDF]
Tammali S +3 more
europepmc +1 more source
Organizing across cognitive asymmetry in human–AI collaboration: A study of perfume creation
Abstract Research Summary As organizations increasingly adopt generative AI (GenAI), they face a strategic challenge: not only deciding which tasks AI should perform, but also how to organize the integration of human and AI efforts to produce viable solutions.
Tomoko Yokoi +3 more
wiley +1 more source
Exploring the effects of music-supported cultural adaptation activities on international students' sociocultural adaptation and wellbeing: a pilot study. [PDF]
Sulun E, Kurtulmus O, Eren HC.
europepmc +1 more source
Can explainable AI scaffolding reduce cognitive load and enhance embodied expression? A quasi-experimental study of multilingual vocal learning in Bel Canto education. [PDF]
Sun Y, Wang X, Wei X.
europepmc +1 more source
Development of an Orff music-based intervention program based on the PERMA model for children with cochlear implants: a Delphi study. [PDF]
Huang Y +8 more
europepmc +1 more source
Critical Review on the Development and Evolution of Beat Perception. [PDF]
Háden G, Honing H.
europepmc +1 more source
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Comparison between Language and Music
Annals of the New York Academy of Sciences, 2001Abstract:Similarities and differences between language and music processing are examined from an evolutionary and a cognitive perspective. Language and music cannot be considered single entities; they need to be decomposed into different component operations or levels of processing.
Mireille Besson, Daniele Schon
exaly +3 more sources

