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ArtsTwo major poets of the Russian Neo-Avant-Garde—Gennady Aygi and Elizaveta Mnatsakanova—created textual works that transgressed the limits of language and the borders between the arts.
Olga Sokolova, Vladimir Feshchenko
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Expressive intent, ambiguity, and aesthetic experiences of music and poetry. [PDF]
PLoS One, 2017 Margulis EH +3 more
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“Musiek kan my teken”: klanke, voëlgeluide en musiek in die digkuns van Lina Spies
Tydskrif vir Letterkunde, 2018 The appearance of Lina Spies’s eighth volume of poetry, Duskant die einders (This side of the horizons, 2004) prompted a reinvestigation of her oeuvre. This volume was preceded by Digby vergenoeg (Close by far enough, 1971, which was awarded the Ingrid ...
Heinrich van der Mescht
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A voice for the voiceless: lessons from a Hmong community's approach to music and self-expression [PDF]
, 2016 Since the turn of the century, the world has witnessed a rise in violence promulgated on American soil. From terrorism to bullying, citizens across the United States are left wondering, "What’s next or what can I do about it?" I imagine that I am not ...
Vu, Kinh T.
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What we leave behind: poetry, music, and Seamus Heaney [PDF]
, 2017 Seamus Heaney’s death in late summer, 2013, came as a shock and is now a residual sadness. I miss his guidance, his humanity, his humor. Heaney’s presence, through the poems, has been a richly-colored thread connecting each stage of my life—or at least ...
Tyler, Meg
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Menorah Review (No. 6, Winter, 1986) [PDF]
, 1986 On How Being Jewish Is Different -- Is Good Business Good?
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Boston University Symphony Orchestra and Symphonic Chorus, April 13, 1995 [PDF]
, 1995 This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Thursday, April 13, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Helios
School of Music, Boston University
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