Results 61 to 70 of about 368,366 (216)

Buzz Jones, Professor of Music

open access: yes, 2016
In this new Next Page column Sunderman Conservatory of Music Professor and composer Buzz Jones explains how reading poetry and plays fires his creative instincts and tells us the last book that made him laugh out ...
Jones, John William, Musselman Library,
core  

Music code of poetry Dmitry Kremeny

open access: yesScientific Visnyk V.O. Sukhomlynskyi Mykolaiv National University. Pedagogical Sciences, 2019
The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D.
openaire   +1 more source

Nature, music, and meaning in Debussy's writings [PDF]

open access: yes, 2005
This article sets out to examine what Debussy wrote about music in the light of the discourse on music, literature, and nature that Debussy knew from contemporary literature.
Dayan, P
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The Dionysian value and musicality in performatic poetry. Case of Joyelle McSweeney

open access: yesEstudios de Teoría Literaria, 2016
This paper explores the philosophy of Nietzsche regarding music and words, and proposes to establish relationships between his arguments on the musical experience, and the performance poetry of Joyelle McSweeney. In short, performance poetry is a type of
Sabrina Salomón
doaj  

Repetition in Criticism Experience in Andalus Poetry

open access: yesمجلة كلية التربية للبنات, 2019
Internal Music is considered as a basis to form music melody that sends rapture and ecstasy within ones selves since it occurs directly on ears ( hearing) and since it tightens the meaning to make it penetrating into Heart.
حميدة صالح البلداوي افراح علي عثمان
doaj  

La musica attraverso la poesia: Arnold Schönberg

open access: yesLinguae &: Rivista di Lingue e Culture Moderne, 2016
The essay intends to explore the musical thought of Arnold Schönberg in relation to the theories of literary expressionism. The composer refers to a poetic language which becomes a musical voice and is able to change ‘verbal’ words into ‘musical’ words ...
Runco Maria Innocenza
doaj   +1 more source

Noël Coward and the Sitwells: enmity, celebrity, popularity [PDF]

open access: yes, 2015
In 1923, the year of the first public performance of Edith Sitwell and William Walton's Façade, Noël Coward satirized the Sitwell siblings in his sketch “The Swiss Family Whittlebot.” The result was an enduring feud between Coward and the Sitwells that ...
Hammill, Faye
core   +2 more sources

L’enargeia musicale ou les modalités d’une ut musica poesis dans The Arte of English Poesie de George Puttenham (1589)

open access: yesEtudes Epistémè, 2010
Puttenham’s Arte of English Poesie is unique, for it is a poetic art which conceives and defines poetry as a musical art. In the wake of the numerous apologies of vernacular poetry in Europe, its author aims at demonstrating the aptness of the English ...
Laïla Ghermani
doaj   +1 more source

Musical Metaphors in the Poetry of Wallace Stevens

open access: yesELOPE: English Language Overseas Perspectives and Enquiries, 2016
Wallace Stevens’s “The Man with the Blue Guitar” (1937) is widely recognized as one of the most important and influential poems of the 20th century. Inspired by Picasso’s painting The Old Guitarist, the poem in turn inspired Michael Tippett’s sonata for solo guitar, “The Blue Guitar” (Tippett 1983) and David Hockney’s The Blue Guitar: Etchings by David
openaire   +3 more sources

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