Results 11 to 20 of about 40,269 (219)

Conceptualising quality early childhood education: Learning from young children in Brazil and South Africa through creative and play‐based methods

British Educational Research Journal, EarlyView., 2023
Abstract Early childhood has increasingly been acknowledged as a vital time for all children. Inclusive and quality education is part of the United Nations Sustainable Development Goals, with the further specification that all children have access to quality pre‐primary education.
Laura H. V. Wright, Irene Rizzini, Malibongwe Gwele, Lynn McNair, Cristina Laclette Porto, Marsha Orgill, E. Kay M. Tisdall, Malcolm Bush, Linda Biersteker   +8 more
wiley   +1 more source

UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, PROBLEMS, DIRECTIONS OF DEVELOPMENT (BASED ON THE EXAMPLES FROM CONTEMPORARY ART MUSIC SCENE)

Studia Universitatis Babeş-Bolyai. Musica, 2022
The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions.
Iryna TUKOVA, Valentina REDYA, Iryna KOKHANYK   +2 more
doaj   +1 more source

Sonification of Complex Spectral Structures

Frontiers in Neuroscience, 2022
In this article, we present our work on the sonification of notated complex spectral structures. It is part of a larger research project about the design of a new notation system for representing sound-based musical structures.
Mattias Sköld, Mattias Sköld, Roberto Bresin   +2 more
doaj   +1 more source

CONCEPTS “MONUMENTAL” AND “MINIATURE” IN ART: HISTORY AND MODERNITY

Studia Universitatis Babeş-Bolyai. Musica, 2021
The article deals with the issue about the relationship between the notions of “monumental” and “miniature” in various types of art. A very conditional division of these notions is noted.
Maryna VARAKUTA, Daryna KUPINA
doaj   +1 more source

ANTECEDENTS, AND DEVELOPMENT OF THE SACRED CHORAL CONCERTO IN RUSSIA

Studia Universitatis Babeş-Bolyai. Musica, 2020
Upon dealing with Russian religious choral music of the 18th century, one may clearly recognize the outlines of a unique genre, the duhovny kontsert, or in other words, the genre of the religious choral concerto. The subject is suppletory, since very few
Mónika VÉGH
doaj   +1 more source

Tōru Takemitsu᾽s "Spherical Mirror:" The Influences of Shūzō Takiguchi and Fumio Hayasaka on his Early Music in Postwar Japan [PDF]

Athens Journal of Humanities & Arts, 2019
The music of Japanese composer Tōru Takemitsu (1930-1996) eludes understanding by traditional musical analytical approaches. In his earlier works, the musical language Takemitsu employed is influenced by Debussy, Webern, and particularly Messiaen ...
Tomoko Deguchi
doaj   +1 more source

GENRE TRADITION AS AN ARTISTIC CATEGORY (ON THE EXAMPLE OF UKRAINIAN ORGAN MUSIC OF THE LATE XX – EARLY XXI CENTURY)

Studia Universitatis Babeş-Bolyai. Musica, 2022
Some peculiarities of genre tradition as an artistic category are considered (based on the example of a modern Ukrainian pipe organ music). It was found out that the transformation of the genres are natural process, that directed to preservate the ...
Daryna KUPINA, Valentina REDYA
doaj   +1 more source

Topophilia—Space for Human Creation and Interpretation

Arts
Topophilia, understood as a form of relationship between humans and their environment, can manifest in diverse ways—not only across various domains of art and life but also within the realm of music.
Katarzyna Szymańska-Stułka
doaj   +1 more source

A Large Polyphonic Cycle in the Piano Works of Ukrainian Composers of the Twentieth and Early Twenty-First Centuries: The Issue of Integrity

Studia Universitatis Babeş-Bolyai. Musica
The relevance of this topic is related to the need to comprehend the processes of revival of the genre of the large polyphonic cycle in the musical art of the twentieth and early twenty-first centuries, where it acquires a high conceptual capacity.
Iryna KOKHANYK, Svitlana POSTOVOITOVA
doaj   +1 more source

IN SEARCH OF “THE MORE IMPORTANT” IN STRING QUARTET NO. 1 BY DIETER ACKER

Studia Universitatis Babeş-Bolyai. Musica, 2022
Dieter Acker’s String Quartet No. 1 represents a turning point in the composer’s output, being an opus composed in his last year of study in Sigismund Toduță’s composition class (1964) and one which brought him international recognition, winning second ...
Iulia MOGOȘAN
doaj   +1 more source