Results 21 to 30 of about 938,156 (301)
Studia Universitatis Babeş-Bolyai. Musica, 2022 Some peculiarities of genre tradition as an artistic category are considered (based on the example of a modern Ukrainian pipe organ music). It was found out that the transformation of the genres are natural process, that directed to preservate the ...
Daryna KUPINA, Valentina REDYA
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Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis' [PDF]
, 2016 Although recent years have seen the emergence of sustained research on experimental music theater, most of this is of a largely descriptive nature. To address the shortcomings of such approaches, this essay outlines a theory of experimental music theater
Heile, Björn
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Tōru Takemitsu᾽s "Spherical Mirror:" The Influences of Shūzō Takiguchi and Fumio Hayasaka on his Early Music in Postwar Japan [PDF]
Athens Journal of Humanities & Arts, 2019 The music of Japanese composer Tōru Takemitsu (1930-1996) eludes understanding by traditional musical analytical approaches. In his earlier works, the musical language Takemitsu employed is influenced by Debussy, Webern, and particularly Messiaen ...
Tomoko Deguchi
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CONCEPTS “MONUMENTAL” AND “MINIATURE” IN ART: HISTORY AND MODERNITY
Studia Universitatis Babeş-Bolyai. Musica, 2021 The article deals with the issue about the relationship between the notions of “monumental” and “miniature” in various types of art. A very conditional division of these notions is noted.
Maryna VARAKUTA, Daryna KUPINA
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ANTECEDENTS, AND DEVELOPMENT OF THE SACRED CHORAL CONCERTO IN RUSSIA
Studia Universitatis Babeş-Bolyai. Musica, 2020 Upon dealing with Russian religious choral music of the 18th century, one may clearly recognize the outlines of a unique genre, the duhovny kontsert, or in other words, the genre of the religious choral concerto. The subject is suppletory, since very few
Mónika VÉGH
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IN SEARCH OF “THE MORE IMPORTANT” IN STRING QUARTET NO. 1 BY DIETER ACKER
Studia Universitatis Babeş-Bolyai. Musica, 2022 Dieter Acker’s String Quartet No. 1 represents a turning point in the composer’s output, being an opus composed in his last year of study in Sigismund Toduță’s composition class (1964) and one which brought him international recognition, winning second ...
Iulia MOGOȘAN
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Orchestration of Proper Piano Pieces as a Self-Interpretation
Studia Universitatis Babeş-Bolyai. Musica, 2023 The study is focused on the problem of composers’ self-interpretation in the orchestrations of their own piano pieces. This specific case of a creative re-thinking contains not only adaptation of a piano score to orchestral instruments, but also adding ...
Boryslav STRONKO
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Topophilia—Space for Human Creation and Interpretation
ArtsTopophilia, understood as a form of relationship between humans and their environment, can manifest in diverse ways—not only across various domains of art and life but also within the realm of music.
Katarzyna Szymańska-Stułka
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The coupling of action and perception in musical meaning formation [PDF]
, 2014 The embodied perspective on music cognition has stressed the central role of the body and body move- ments in musical meaning formation processes.
Kroonenberg, Pieter +4 more
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Studia Universitatis Babeş-Bolyai. MusicaThe relevance of this topic is related to the need to comprehend the processes of revival of the genre of the large polyphonic cycle in the musical art of the twentieth and early twenty-first centuries, where it acquires a high conceptual capacity.
Iryna KOKHANYK, Svitlana POSTOVOITOVA
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