The literary basis of the musical „Adio Chiustenge!” [PDF]
Dialogica: Revistă de Studii Culturale și LiteraturăThe article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the
Inga CEBAN
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Confessions of a live coder [PDF]
, 2011 This paper describes the process involved when a live coder decides to learn a new musical programming language of another paradigm. The paper introduces the problems of running comparative experiments, or user studies, within the field of live coding ...
Magnusson, Thor
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ICARUS: a game/performance for drum-kit and live electronics. [PDF]
, 2019 ICARUS is a game/performance for drum-kit and live electronics. The work explores improvised musical structures within an game setting, where the player navigates between five musical chapters.
Michalakos, Christos
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Adio Chiustenge musical by the dobrogean composer Dumitru Lupu and librettist Carmen Aldea Vlad: subject and dramaturgy [PDF]
Dialogica: Revistă de Studii Culturale și LiteraturăThe article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the
Inga CEBAN
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Sueños de Tay-Pi. Redescubriendo la revista musical de animación
Con A de Animación, 2023 Este artículo analiza la película Sueños de Tay Pi (1951), dirigida por Franz Winterstein para la productora Balet y Blay, a raíz de la reciente proyección de una copia conservada en Filmoteca Española. Comparando esta versión con dos documentos inéditos
Álex Mendíbil Blanco
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Musical Multimodal Child Computer Interaction [PDF]
, 2006 In this project an interactive computer system is designed that envisions to contribute to young children's musical education. From literature, requirements for musical interaction were derived.
Dijk, E.M.A.G. van +2 more
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On a Romantic Island: Shakespeare and Mamma mia
Multicultural Shakespeare, 2019 The paper concerns the blockbuster musical film Mamma mia, loosely using some of Shakespearean patterns, topoi and plots. Set on a small Greek island, idylic and exotic, the film offers a contemporary romantic story with new/reversed roles in terms of ...
Jana B. Wild
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Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages [PDF]
Крымское историческое обозрение, 2020 The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people.
Ismet Zaatov
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Musical Tradition in Megalithic Site of Indonesian Gunung Padang? [PDF]
, 2008 The paper reports a possibilities of musical traditions of ancient civilization who built the sites discovered in Gunung Padang, West Java, Indonesia. Particular group of the stones in the megalithic site happens to have relatively high frequency that ...
Mauludy, Rolan, Situngkir, Hokky
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Religion and Cultural Identity in Shakespeare’s Romeo and Juliet and the Musical Works it Inspired
Messages, Sages and Ages, 2016 Protean Shakespeare thrives not only in the theatre, but also through what Bolter and Grusin call remediation. This article analyses the religious stances in the play and then shows how opera, symphony and musical have been adapting the veteran ...
Bottez Alina
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