Results 21 to 30 of about 427,410 (333)
What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem [PDF]
Художественная культура, 2023 The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie ...
Platonova Olesia A.
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Bogdan Milanković’s contribution to the development of musical culture in Sarajevo between world wars [PDF]
Muzikologija, 2023 Dr Bogdan Milanković was one of the key figures in the musical life of Sarajevo between two world wars. A doctor of Romance philology who spent his working life as a high school teacher, Milanković also served as director and teacher of the ...
Hadžić Fatima
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Investigaciones Feministas, 2013 The analysis of the 1956 film Carousel (Dir. Henry King), which was based on the 1945 play by Rodgers and Hammerstein, provides a suitable example of a musical with explicit allusions to male physical aggression over two women: the wife and the daughter.
Patricia Álvarez Caldas
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PLoS ONE, 2014 Musical skills and expertise vary greatly in Western societies. Individuals can differ in their repertoire of musical behaviours as well as in the level of skill they display for any single musical behaviour.
Daniel Müllensiefen +3 more
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Интеллект. Инновации. Инвестиции, 2023 The article is written in connection with the anniversaries of the life of the great Russian thinker Alexey Fedorovich Losev and is devoted to one of the aspects of his aesthetic research related to the interpretation of music in Neoplatonism.
G. G. Kolomiets
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Internet of Musical Things: Vision and Challenges
IEEE Access, 2018 The Internet of Musical Things (IoMusT) is an emerging research field positioned at the intersection of Internet of Things, new interfaces for musical expression, ubiquitous music, human–computer interaction, artificial intelligence, and participatory ...
Luca Turchet +4 more
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La música como reivindicación de género en "Margarita y el lobo", de Cecilia Bartolomé
Área Abierta, 2016 El carácter innovador y feminista del mediometraje Margarita y el lobo (1969) supuso la censura total de la película y el ostracismo hacia su directora, la entonces estudiante de la EOC, Cecilia Bartolomé.
Marta García Sahagún
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The Dialogue of Giants: How Broadway and Hollywood “Saved” American Animation (and Were Saved in Return). (Kunze, Peter C. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance. New Brunswick, NJ: Rutgers University Press, 2023. 224 р.) [PDF]
Литература двух Америк, 2023 Peter Kunze’s book Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance is a (overwhelmingly) well-researched study of the transmedial migration of popular narratives in the 1980s and the 1990s.
Polina Yu. Rybina
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Вестник музыкальной науки, 2018 Статья посвящена рассмотрению постановок в жанре мюзикла в учебном театре Новосибирского государственного театрального института. Проблема выбора репертуара для воспитания студентов-актеров по-прежнему является достаточно актуальной, и использование ...
Коробейников, Сергей Савельевич
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Accessible Digital Musical Instruments - A Review of Musical Interfaces in Inclusive Music Practice
Multimodal Technologies and Interaction, 2019 Current advancements in music technology enable the creation of customized Digital Musical Instruments (DMIs). This paper presents a systematic review of Accessible Digital Musical Instruments (ADMIs) in inclusive music practice.
Emma Frid
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