Results 1 to 10 of about 530,446 (333)
Key Components of Musical Discourse Analysis [PDF]
, 2013 Musical discourse analysis is an interdisciplinary study which is incomplete without consideration of relevant social, linguistic, psychological, visual, gestural, ritual, technical, historical and musicological aspects.
Evgeniya Aleshinskaya
openalex +3 more sources
Musical Ambiguity and Musical Analysis [PDF]
, 2018 What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein's later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., "playing a game"), this essay asserts that analysis has a distinct role to play apart from providing data to theory. In fact,
Arthur Maisel
openaire +3 more sources
From musical analysis to musical expression
, 2003 This project presents an overview of my research work in the field of computer music since I had my first contact with it a few years ago. In the first part, a state of the art of each of the topics I have been involved in is presented, from audio identification to musical instrument synthesis, including tempo tracking and rhythm perception research ...
Óscar Mayor
openalex +2 more sources
The Role of Orchestration in Shaping Musical Form
Muzikološki Zbornik, 2022 We introduce a method for computer-assisted analysis of orchestration. We also look into the role that texture and orchestration have in structuring musical form.
Charles de Paiva Santana, Didier Guigue
doaj +1 more source
Effect of Bow Camber and Mass Distribution on Violinists' Preferences and Performance
Frontiers in Psychology, 2021 Little is known about how bow mechanical characteristics objectively and quantitatively influence violinists' preferences and performance. Hypothesizing that the bow shape (i.e., camber) and mass distribution modifications would alter both violinists ...
Aurélie Tomezzoli +5 more
doaj +1 more source
Análise musical de “Portraît de Nadia Boulanger” (1972), de Almeida Prado
Revista Vortex, 2021 “Portraît de Nadia Boulanger”, for voice and piano, was composed in 1972 by Almeida Prado (1943-2010) as a tribute to his teacher during his musical improvement period in France, which lasted from 1969 to 1973. This article aims to analyse this piece. As
Tales Eduardo Pelison Botechia +1 more
doaj +1 more source
Babylonian confusion. Zur Terminologie der Formanalyse von Pop- und Rockmusik [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2011 Eine differenzierte Formanalyse der seit 1950 entstandenen Pop-/Rockmusik ist möglich, wenn die englischsprachigen Begriffe ›Verse‹, ›Chorus‹, ›Headline‹, ›Intro‹, ›Outro‹, ›Bridge‹, ›Instrumental Solo‹, ›Interlude‹, ›Prechorus‹ und ›Transitional Bridge‹
Ulrich Kaiser
doaj +1 more source
Revista Vortex, 2020 In this text, composer Flo Menezes shares his impressions on teaching composition. The specif ic context is his experience as a selected composer at the Royaumont courses in 1995, under the supervision of British composer Brian Ferneyhough and Swiss ...
Flo Menezes
doaj +1 more source
K metodologickým problémům hudební narativity
Musicologica Brunensia, 2014 The study aims to present a basic principles and main conceptions of an influence theory about temporal dimension in the art and music – musical narratology, which is often theoretical reflected from the 80's.
David Kozel
doaj +1 more source
Musical Tradition in Megalithic Site of Indonesian Gunung Padang? [PDF]
, 2008 The paper reports a possibilities of musical traditions of ancient civilization who built the sites discovered in Gunung Padang, West Java, Indonesia. Particular group of the stones in the megalithic site happens to have relatively high frequency that ...
Mauludy, Rolan, Situngkir, Hokky
core +1 more source