Results 11 to 20 of about 534,001 (305)

Traços do ragtime no choro Segura ele de Pixinguinha: composição, performance e iconografia após a viagem a Paris em 1922 Ragtime traces in the choro Segura ele [Hold him!] by Pixinguinha: composition, performance and iconography after the trip to Paris in 1922

open access: yesPer Musi, 2011
Estudo analítico e comparativo sobre os choros Segura ele e Um a zero de Pixinguinha que, na histórica viagem do grupo de choro Oito Batutas a Paris em 1922, conviveu com músicos de jazz norte-americanos.
Nilton Antônio Moreira Júnior   +1 more
doaj   +1 more source

MUSICAL ANALYSIS: METHOD, PRACTICE, CONCEPT [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
Although music analysis is a familiar syntagma for all those who have professional connections with music, today manyresearchers are trying to defi ne its status, to reveal its place and role in the context of studying and understanding music.
MELNIC, VICTORIA
doaj  

Analysing musical performance through functional data analysis: rhythmic structure in Schumann's Träumerei [PDF]

open access: yes, 2009
Functional data analysis (FDA) is a relatively new branch of statistics devoted to describing and modelling data that are complete functions. Many relevant aspects of musical performance and perception can be understood and quantified as dynamic ...
Almansa, J   +1 more
core   +2 more sources

Musical Tradition in Megalithic Site of Indonesian Gunung Padang? [PDF]

open access: yes, 2008
The paper reports a possibilities of musical traditions of ancient civilization who built the sites discovered in Gunung Padang, West Java, Indonesia. Particular group of the stones in the megalithic site happens to have relatively high frequency that ...
Mauludy, Rolan, Situngkir, Hokky
core   +1 more source

Gallus – der Humanist amat Venerem, cur?

open access: yesDe Musica Disserenda, 2015
The Slovenian Renaissance composer Jacobus Handl, Gallus dictus, Carniol(an)us was a refined humanist with an exquisite command of Latin. A mythological and theological semantic conception of Gallus, research into the composer’s strong self ...
Ivan Florjanc
doaj   +1 more source

Cross-Cultural Resonance in the Cadential Hemiola [PDF]

open access: yesAnalytical Approaches to World Music, 2022
The resurgence of the comparative method in ethnomusicology signals a rapprochement between ethnomusicology and the field of music theory and analysis that was sorely missing at the close of the twentieth century.
Nathan Hesselink
doaj  

Fatores de coerência nos Choros nº 5 ("Alma brasileira"), de H. Villa-Lobos Coherence factors in H. Villa-Lobos´Choros n. 5 ("Alma brasileira")

open access: yesPer Musi, 2009
Análise dos processos composicionais contidos nos Choros nº. 5 de H. Villa-Lobos, a partir da abordagem dos planos formal, harmônico, rítmico e melódico e sua relação com elementos da retórica (a partir do conceito de figuras musicais) a fim de descobrir
Carlos Alberto Assis
doaj   +1 more source

Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8

open access: yesOpus, 2018
Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude.
Liduino Pitombeira, Marcel Castro Lima
doaj   +1 more source

Alfred Schnittke’s Third String Quartet: an intertextuality analysis

open access: yesPer Musi, 2021
This is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are appropriated by the composer in the creation of his work. The
João Francisco de Souza Corrêa
doaj   +1 more source

Sonification, Musification, and Synthesis of Absolute Program Music [PDF]

open access: yes, 2016
Presented at the 22nd International Conference on Auditory Display (ICAD-2016)When understood as a communication system, a musical work can be interpreted as data existing within three domains. In this interpretation an absolute domain is interposed as a
Coop, Allan D.
core   +1 more source

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