Results 1 to 10 of about 534,001 (305)

Musical Ambiguity and Musical Analysis [PDF]

open access: yes, 2018
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein's later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., "playing a game"), this essay asserts that analysis has a distinct role to play apart from providing data to theory. In fact,
Arthur Maisel
openaire   +3 more sources

The Role of Orchestration in Shaping Musical Form

open access: yesMuzikološki Zbornik, 2022
We introduce a method for computer-assisted analysis of orchestration. We also look into the role that texture and orchestration have in structuring musical form.
Charles de Paiva Santana, Didier Guigue
doaj   +1 more source

Effect of Bow Camber and Mass Distribution on Violinists' Preferences and Performance

open access: yesFrontiers in Psychology, 2021
Little is known about how bow mechanical characteristics objectively and quantitatively influence violinists' preferences and performance. Hypothesizing that the bow shape (i.e., camber) and mass distribution modifications would alter both violinists ...
Aurélie Tomezzoli   +5 more
doaj   +1 more source

Análise musical de “Portraît de Nadia Boulanger” (1972), de Almeida Prado

open access: yesRevista Vortex, 2021
“Portraît de Nadia Boulanger”, for voice and piano, was composed in 1972 by Almeida Prado (1943-2010) as a tribute to his teacher during his musical improvement period in France, which lasted from 1969 to 1973. This article aims to analyse this piece. As
Tales Eduardo Pelison Botechia   +1 more
doaj   +1 more source

Babylonian confusion. Zur Terminologie der Formanalyse von Pop- und Rockmusik [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2011
Eine differenzierte Formanalyse der seit 1950 entstandenen Pop-/Rockmusik ist möglich, wenn die englischsprachigen Begriffe ›Verse‹, ›Chorus‹, ›Headline‹, ›Intro‹, ›Outro‹, ›Bridge‹, ›Instrumental Solo‹, ›Interlude‹, ›Prechorus‹ und ›Transitional Bridge‹
Ulrich Kaiser
doaj   +1 more source

Invention is not taught

open access: yesRevista Vortex, 2020
In this text, composer Flo Menezes shares his impressions on teaching composition. The specif ic context is his experience as a selected composer at the Royaumont courses in 1995, under the supervision of British composer Brian Ferneyhough and Swiss ...
Flo Menezes
doaj   +1 more source

Key Components of Musical Discourse Analysis [PDF]

open access: yes, 2013
Musical discourse analysis is an interdisciplinary study which is incomplete without consideration of relevant social, linguistic, psychological, visual, gestural, ritual, technical, historical and musicological aspects.
Agawu   +114 more
core   +1 more source

K metodologickým problémům hudební narativity

open access: yesMusicologica Brunensia, 2014
The study aims to present a basic principles and main conceptions of an influence theory about temporal dimension in the art and music – musical narratology, which is often theoretical reflected from the 80's.
David Kozel
doaj   +1 more source

Analysis of analysis: importance of different musical parameters for Schenkerian analysis [PDF]

open access: yes, 2016
While criteria for Schenkerian analysis have been much discussed, such discussions have generally not been informed by data. Kirlin [Kirlin, Phillip B., 2014 “A Probabilistic Model of Hierarchical Music Analysis.” Ph.D.
Kirlin, Phillip B., Yust, Jason
core   +1 more source

Why musical memory can be preserved in advanced Alzheimer's disease [PDF]

open access: yes, 2015
Musical memory is relatively preserved in Alzheimer's disease and other dementias. In a 7 Tesla functional MRI study employing multi-voxel pattern analysis, Jacobsen et al.
Chételat, Gael   +4 more
core   +2 more sources

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