Results 1 to 10 of about 80,559 (268)
The Role of Orchestration in Shaping Musical Form
Muzikološki Zbornik, 2022 We introduce a method for computer-assisted analysis of orchestration. We also look into the role that texture and orchestration have in structuring musical form.
Charles de Paiva Santana, Didier Guigue
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Effect of Bow Camber and Mass Distribution on Violinists' Preferences and Performance
Frontiers in Psychology, 2021 Little is known about how bow mechanical characteristics objectively and quantitatively influence violinists' preferences and performance. Hypothesizing that the bow shape (i.e., camber) and mass distribution modifications would alter both violinists ...
Aurélie Tomezzoli +5 more
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Análise musical de “Portraît de Nadia Boulanger” (1972), de Almeida Prado
Revista Vortex, 2021 “Portraît de Nadia Boulanger”, for voice and piano, was composed in 1972 by Almeida Prado (1943-2010) as a tribute to his teacher during his musical improvement period in France, which lasted from 1969 to 1973. This article aims to analyse this piece. As
Tales Eduardo Pelison Botechia +1 more
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Revista Vortex, 2020 In this text, composer Flo Menezes shares his impressions on teaching composition. The specif ic context is his experience as a selected composer at the Royaumont courses in 1995, under the supervision of British composer Brian Ferneyhough and Swiss ...
Flo Menezes
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K metodologickým problémům hudební narativity
Musicologica Brunensia, 2014 The study aims to present a basic principles and main conceptions of an influence theory about temporal dimension in the art and music – musical narratology, which is often theoretical reflected from the 80's.
David Kozel
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Per Musi, 2011 Estudo analítico e comparativo sobre os choros Segura ele e Um a zero de Pixinguinha que, na histórica viagem do grupo de choro Oito Batutas a Paris em 1922, conviveu com músicos de jazz norte-americanos.
Nilton Antônio Moreira Júnior +1 more
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Alfred Schnittke’s Third String Quartet: an intertextuality analysis
Per Musi, 2021 This is an analytical study of intertextual procedures in Alfred Schnittke's Third String Quartet (1983). The study intends to demonstrate how intertextual compositional elements (“texts”) are appropriated by the composer in the creation of his work. The
João Francisco de Souza Corrêa
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On Hyperstructure and Musical Structure [PDF]
, 2002 In this paper we report on an ongoing investigation into the relationship between musical structure and hyperstructure, based on a series of open hypermedia systems research projects that have featured case studies involving musical content. We provide a
David C. De Roure +9 more
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Gallus – der Humanist amat Venerem, cur?
De Musica Disserenda, 2015 The Slovenian Renaissance composer Jacobus Handl, Gallus dictus, Carniol(an)us was a refined humanist with an exquisite command of Latin. A mythological and theological semantic conception of Gallus, research into the composer’s strong self ...
Ivan Florjanc
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Mélophrasis, parafrasi ed analisi: Haydn, Momigny e la “103”
Musica Docta, 2020 In his Cours complet d’harmonie et de composition (1806) Jérôme-Joseph Momigny offered both a paraphrase of the first movement of W.A. Mozart’s D minor Quartet K 421, and a double analysis of the first movement of Joseph Haydn’s Symphony no.
Lorenzo Bianconi
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