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Musical Expression and Body Expression
Perceptual and Motor Skills, 1983The present series of experiments used either musical excerpts which subjects listened to and then associated to verbal categories (Exp. I) or videotape recordings of body expression sequences which subjects watched and associated with the same verbal categories.
Robert Francès +1 more
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2022
Abstract “Playing with feeling” is central to music making and is referred to more formally as playing with “expression.” This chapter organizes expressive playing into three components: Knowledge (K); Performance (P—the act of making music in an expressive manner); and Affect (A—the reception of the music by the listener) (KPA ...
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Abstract “Playing with feeling” is central to music making and is referred to more formally as playing with “expression.” This chapter organizes expressive playing into three components: Knowledge (K); Performance (P—the act of making music in an expressive manner); and Affect (A—the reception of the music by the listener) (KPA ...
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Philosophy Compass, 2007
Abstract This article assesses the current state of the philosophical debate regarding the expression of emotion in music, or expressive properties of music. It defines the question, explores a few false‐starts and then considers the solution that expressive properties are a matter of a certain ‘way of appearing’ of the music.
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Abstract This article assesses the current state of the philosophical debate regarding the expression of emotion in music, or expressive properties of music. It defines the question, explores a few false‐starts and then considers the solution that expressive properties are a matter of a certain ‘way of appearing’ of the music.
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2020
Abstract Chapter 6 explores philosophical discussions about the nature of music expression. Musical works are inanimate artifacts. It has, as a result, been thought to be puzzling that listeners attribute expressive qualities to them.
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Abstract Chapter 6 explores philosophical discussions about the nature of music expression. Musical works are inanimate artifacts. It has, as a result, been thought to be puzzling that listeners attribute expressive qualities to them.
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Graphical expression of the mood of music
2004 IEEE International Conference on Multimedia and Expo (ICME) (IEEE Cat. No.04TH8763), 2005We propose a graphical method to express what a music performance is intended to create in the minds of the audience. Our graphical approach overcomes the problems associated with verbal labeling. Besides playing a melody and harmony, a music player tries to produce certain feelings in the audience by manipulating tempo, rhythm, articulation and ...
Rumi Hiraga, Noriyuki Matsuda
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2019
Abstract Chapter 6 demonstrated that there is some agreement among listeners about what emotion pieces of music express, and that music performers may communicate at least some emotions to listeners in a reliable manner. Yet such findings do not by themselves prove that this is how musicians or listeners conceive of music.
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Abstract Chapter 6 demonstrated that there is some agreement among listeners about what emotion pieces of music express, and that music performers may communicate at least some emotions to listeners in a reliable manner. Yet such findings do not by themselves prove that this is how musicians or listeners conceive of music.
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A musical system for emotional expression
Knowledge-Based Systems, 2010The automatic control of emotional expression in music is a challenge that is far from being solved. This paper describes research conducted with the aim of developing a system with such capabilities. The system works with standard MIDI files and develops in two stages: the first offline, the second online.
António Pedro Oliveira +1 more
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Expressiveness and Expression in Music and Poetry
Journal of Aesthetics and Art Criticism, 2001The attempt to understand what it is for music to express, or be expressive of, emotion is long-standing, but also the object of several creative new approaches and a snow squall of recent work. It can be seen as part of several larger projects: the attempt to understand what expression is across the arts, and perhaps beyond the arts; the explication ...
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2007
Abstract Progress in enquiry depends as much on getting the right questions as it does on getting the right answers. This is nowhere better illustrated in recent philosophy than in the discussion of the expression of emotion by instrumental music. What I hope to do in this paper is to argue for framing the question in one particular way,
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Abstract Progress in enquiry depends as much on getting the right questions as it does on getting the right answers. This is nowhere better illustrated in recent philosophy than in the discussion of the expression of emotion by instrumental music. What I hope to do in this paper is to argue for framing the question in one particular way,
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Abstract This chapter discusses different ways in which music has been regarded as expressive in the literature. First, the chapter considers some parallels and contrasts between language and music. Although the two domains share some general characteristics, they also differ significantly in ways that can help to explain how musical ...
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