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A Virtual Head Driven by Music Expressivity
IEEE Transactions on Audio, Speech and Language Processing, 2007In this paper, we present a system that visualizes the expressive quality of a music performance using a virtual head. We provide a mapping through several parameter spaces: on the input side, we have elaborated a mapping between values of acoustic cues and emotion as well as expressivity parameters; on the output side, we propose a mapping between ...
Maurizio Mancini +2 more
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The perception of expressive timing in music
Psychological Research, 1989This paper is concerned with the perception of small-scale timing changes in musical sequences. The control and expressive function of these have been studied quite extensively from a production perspective, but not much is known about listeners' ability to detect them.
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Musical Expressiveness as Hearability‐as‐Expression
2006Abstract This essay defends the analysis that music is expressive of an emotion or other mental state insofar as it induces one to hear it as the personal or personlike expression of that mental state. Various competing theories of musical expressiveness, notably those of Malcolm Budd, Stephen Davies, Robert Stecker, and Roger Scruton ...
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A Music Search System for Expressive Music Performance Learning
2014In this paper, we present a music search system that focuses on performance style to cultivate a pupil's expressive performance of music. The system allows pupils to learn the performance style to be mastered by obtaining both model and non-model content.
Tomoya Mikami, Kosuke Takano
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Music as an Agent of Political Expression
African Studies Bulletin, 1962It is a time-worn cliché that music is an important constituent element of African culture closely associated and integrated with the daily living of the African—a cliché that would not merit repetition here were it not for the fact that this statement has rarely been applied to political activities in African societies.
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Children’s Perception of Musical Emotional Expressions
2007This study investigates on children's ability to interpret emotions in instrumentally-presented melodies. 40 children (20 males and 20 females) all aged six years, have been tested for the comprehension of emotional concepts through the correct matching of emotional pictures to pieces of music.
ESPOSITO, Anna, SERIO M.
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Autocorrelation and the Study of Musical Expression.
1990Item does not contain ...
Desain, P., Vos, S. de
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Framing Resemblance and Expressiveness in Music
British Journal of AestheticsAbstract This paper addresses James O. Young's and Nemesio Puy's critical assessments of Nelson Goodman's account of musical expressiveness. For that, I draw substantially on the work of Maria do Carmo d’Orey (1933–2023), an important although underrecognized Goodman scholar who argued (pace Goodman) that exemplified resemblance—not ...
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Music in Japan: Expressing Music, Expressing Culture
Education About Asia, 2005openaire +1 more source