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Musical Form and Musical Performance
Perspectives of New Music, 1971Wallace Berry, Edward T. Cone
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Journal of the American Musicological Society, 1948
QUESTIONS RAISED in the paper were: Musical form, requiring as it does, a lapse of time for its realization, can be the subject of discussion only if it can be described by some means at one instant of time. Such a medium could be numbers, e.g., the numbers we use in referring to types of chords, or some system such as Birkhoff attempted in his ...
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QUESTIONS RAISED in the paper were: Musical form, requiring as it does, a lapse of time for its realization, can be the subject of discussion only if it can be described by some means at one instant of time. Such a medium could be numbers, e.g., the numbers we use in referring to types of chords, or some system such as Birkhoff attempted in his ...
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2017
This chapter explores the relationship between Russian gay men and both Western and Russian popular musics by focusing on specific harmonic and melodic musical attributes that contribute to a Russian “sound.” In particular, it considers the link between sound and listener to experiences of (pleasurable) penetration.
openaire +1 more source
This chapter explores the relationship between Russian gay men and both Western and Russian popular musics by focusing on specific harmonic and melodic musical attributes that contribute to a Russian “sound.” In particular, it considers the link between sound and listener to experiences of (pleasurable) penetration.
openaire +1 more source
Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis
Journal of New Music Research, 2020Fabian C Moss +2 more
exaly