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Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing [PDF]
Soc Hist Med, 2011 europepmc +1 more source
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The musical iconography of two capitals at Cluny
Symposium - Quarterly Journal in Modern Literatures, 1952exaly +2 more sources
The Sound of Happiness Life in the Renaissance Musical Iconography
In the fourteenth and fifteenth centuries, the depiction of themes such as the fountain of youth, the garden of delights, court games and pastimes was often accompanied by the presence of musical instruments. The miniatures accompanying the figurative cycles linked to chivalric novels such as the Roman de la Rose or the Roman d’Alexandre, or the ...exaly +2 more sources
Sheet Music Iconography and Music in the History of Transatlantic Minstrelsy
Modern Language Quarterly, 2009This essay focuses on how aural and visual media intersected with class when, in 1843, blackface performers began to call themselves minstrels. Not merely a rebaptism, this new name marked a rebirth. Whereas blackface was originally a working-class theatrical experience passed on orally from performer to performer and from performer to audience ...
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Incorporating a Musical Iconography Component into a Music Research Course
2020Most master's programs in music include a required seminar in music research that must broadly introduce a variety of investigatory areas. One such area is the scholarly study of musical iconography, visual works which depict or reference music-making.
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Abstract This chapter explores music iconography as a vital field in music research that uses visual art to study instruments, musicians, and performance practices. It traces the discipline’s development as an interdisciplinary area linking musicology and art history, emphasizing evolving methodologies and the need for interpretive ...
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Africanist Ethnomusicology and Musical Iconography: a dialogue with travelogues and music theory
2022Within the framework of a programme supported by the Agence Nationale de la Re-cherche on the harps of Central Africa, a collaboration between ethnomusicologists and iconographers of Western music was established around the musical iconography contained in travellers' accounts in the 19th century.
Fürniss, Susanne +2 more
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