Results 21 to 30 of about 25,893 (214)
Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films
Communication & Society (Formerly Comunicación y Sociedad), 2021 The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the soundtrack of a film, so that both the artist that performs the song and the ...
David Selva-Ruiz, Desirée Fénix-Pina
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panish, French and British Encounters with Native American Cultures, from Colonial Guatemala to Virginia [PDF]
, 2019 Die Kolonialisierung der Neuen Welt führte zu beispiellosen politischen und sozialen Ver-änderungen, die sich für die Betroffenen u. a. je nach Kontaktzeitraum und Art und Weiseder Begegnung(en) unterschieden.
Howell, Mark
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Almada Negreiros and the musical iconographic representation: the case of the Church of our Lady of the Holy Rosary of Fátima in Lisbon [PDF]
, 2017 The 20th century Portuguese was marked, at the artistic level, by a great cultural effervescence. It is impossible to dissociate aspects such as Modernism, the movement linked to the Orpheu magazine (the aggregator element responsible for introducing the
Rita Faleiro
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Beato Iohannes Traguriensis and Dominik Andreis
Radovi Instituta za Povijest Umjetnosti, 2017 In the 17th century, the hagiography and iconography of Bishop Iohannes Traguriensis were enriched by various members of Trogir’ s noble families. In this promotion of the cult of the local beato, Dominik Andreis stands out with his efforts: he was the ...
Sanja Cvetnić
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Sound archaeology: terminology, Palaeolithic cave art and the soundscape [PDF]
, 2014 This article is focused on the ways that terminology describing the study of music and sound within archaeology has changed over time, and how this reflects developing methodologies, exploring the expectations and issues raised by the use of differing ...
Arias P. +41 more
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Journal de la Société des Américanistes, 2014 The relatively brief period of Dutch colonization in Pernambuco (1630-1654) corresponds to an exceptional documentary undertaking driven by Jean-Maurice de Nassau.
Jean-Pierre Estival
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The Self-Definition of Hellenic Identity through the Culture of Mousikē [PDF]
, 2019 Altgriechische Quellen sind voll von Verweisen auf die Musik von Völkern, die nicht griechisch sind und deshalb stereotyp als ,Barbaren‘ bezeichnet werden.
Rocconi, Eleonora
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Concerning Barbarians and Romans, and RomanDiscourse on Music and Civilization [PDF]
, 2019 Während der römischen Expansionszeit wurden barbarische Instrumente – Trompete und Trommel – in den Quellen als ,eigenartig‘ oder ,primitiv‘ und ihr Klang als unmusikalisch verstanden.
Vendries, Christophe
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Per Musi, 2011 K-ximbinho participou juntamente com outros músicos entre as décadas de 1950 e 1960 de um processo que visava modernizar o samba e o choro pela introdução dos elementos diversos do jazz.
Pablo Garcia da Costa +1 more
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An Ethiopian-Headed Serpent in theCantigas de Santa María: Sin, Sex, and Color in Late Medieval Castile [PDF]
, 2016 An unconventional portrayal of the serpent of the Temptation in the Florence codex of the Cantigas de Santa María (Biblioteca nazionale centrale di Firenze, MS B.R. 20) manifests significant developments in the visual and epistemic norms of late medieval
Pamela Patton
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