Results 31 to 40 of about 26,031 (208)
e-Hum: Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte, 2020 eoi/doi Deposit-Electronic Object Identifier http://eoi.citefactor.org/10.11248/ehum.v12i1.2868 Heitor Villa-Lobos and the internationalization of “Musical Education”: Iconography, Musical Americanism and Pan Americanism (1933-1946) Resumo: O ...
Loque Arcanjo Junior. +2 more
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Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)
Modern Theology, EarlyView.Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley +1 more source
‘For musike meueþ affecciouns’: Interpreting Harp Performance in Medieval Romance [PDF]
Ceræ, 2015 Performances are focal points in medieval romances with musical protagonists. Whilst these performances may not necessarily be accurate representations of medieval music, such episodes in popular literature are valuable to early music practitioners ...
Alana Bennett
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The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆
Renaissance Studies, EarlyView.Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt +2 more
wiley +1 more source
Lute, Vihuela, and Early Guitar [PDF]
, 2018 Producción CientíficaLutes, guitars, and vihuelas were the principal plucked instruments in use in Europe until around 1800. Ancient forms of the lute existed in many parts of the ancient world, from Egypt and Persia through to China.
Griffiths, John, Kieffer, Paul
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Tales of endings and beginnings : cycles of violence as a Leitmotif in the narrative structure of the Bhadrakāḷīmāhātmya [PDF]
, 2020 The asura’s demise at the hands of the goddess is a theme frequently revisited in Hindu myth. It is the chronicle of a death foretold. The Bhadrakāḷīmāhātmya, a sixteenth century regional purāṇa from Kerala, narrates the tale of fierce goddess Bhadrakāḷī
van Brussel, Noortje
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
The Dies Irae ( Day of Wrath ) and Totentanz ( Dance of Death ): Medieval Themes Revisited in 19th Century Music and Culture [PDF]
, 2003 During the pivotal November 2002 football game of Arkansas vs. Georgia in the SEC conference championship, the Georgia marching band struck up their defensive rallying song. Instead of a typical defense song, the band played an excerpt of the Gregorian
Brooks, Erin
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Renaissance Studies, EarlyView.Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
wiley +1 more source
Brocar. Cuadernos de investigación histórica, 2013 This article aims to report on the encounter between art history and musicology within the professional practice of the art historian and, in this context, to provide the musicologist new knowledge elements for further specialized research. The study has
Begoña Arrue Ugarte
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