Results 21 to 30 of about 800 (207)

Musical and dance motifs on Roman engraved gems of the Augustan Era

open access: yesJournal of Music Archaeology
This paper presents a selection of Roman engraved gems (cameos and intaglios) which are deco­rated with musical and dance motifs, focusing primarily on artifacts dated to the Augustan era.
Angeliki Liveri
doaj   +1 more source

The trombone as portrayed in Portuguese iconography during the sixteenth and early seventeenth centuries

open access: yes, 2015
This article studies eleven sixteenth and seventeenth century iconographical sources depicting slide brass instruments, by both Portuguese and foreign artists active in Portugal, as well as foreign artists depicting Portuguese scenes.
de Oliveira Alves, Rui Pedro
core   +1 more source

Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films

open access: yesCommunication & Society (Formerly Comunicación y Sociedad), 2021
The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the soundtrack of a film, so that both the artist that performs the song and the ...
David Selva-Ruiz, Desirée Fénix-Pina
doaj   +1 more source

LINGUISTIC ICONOGRAPHY AND MUSIC AS THE EMBODIMENT OF MEANINGS

open access: yesDoxa, 2022
The interaction of philosophy and literature is clarified in the relationship between literature and music. As distinct genres of art, literature and music have much in common when we consider them in the theoretical context of overcoming the traditional dichotomy of mind and body.
openaire   +1 more source

La représentation de la musique et de la danse dans les œuvres de Post et Wagner : une archéologie des musiques noires au Brésil

open access: yesJournal de la Société des Américanistes, 2014
The relatively brief period of Dutch colonization in Pernambuco (1630-1654) corresponds to an exceptional documentary undertaking driven by Jean-Maurice de Nassau.
Jean-Pierre Estival
doaj   +1 more source

A Very Social History: South American Cricketing Tourists in Britain in 1932

open access: yesHistory, EarlyView.
Abstract Drawing on both the rich Anglophone cricket historiography and the new Latin American sports scholarship, this article maps out the entangled global networks that shaped the tour of Britain made in 1932 by a team of South American cricketers.
Matthew Brown
wiley   +1 more source

HEITOR VILLA-LOBOS E A INTERNACIONALIZAÇÃO DA “EDUCAÇÃO MUSICAL”: ICONOGRAFIA, AMERICANISMO MUSICAL E PAN-AMERICANISMO (1933-1946). Dossiê: História, Política e Relações Internacionais

open access: yese-Hum: Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte, 2020
eoi/doi Deposit-Electronic Object Identifier http://eoi.citefactor.org/10.11248/ehum.v12i1.2868 Heitor Villa-Lobos and the internationalization of “Musical Education”: Iconography, Musical Americanism and Pan Americanism (1933-1946) Resumo: O ...
Loque Arcanjo Junior.   +2 more
doaj  

The Discourse of Equality in Spanish Museums. How Social Media Communicate International Women's Day

open access: yesCurator: The Museum Journal, EarlyView.
ABSTRACT International Women's Day on March 8th is an arena for discourse in contemporary Spain, highlighted by intra‐feminist tension and ideological polarization. In their role as sociocultural mediators, museums construct narratives of gender equality.
Héctor Navarro‐Güere   +2 more
wiley   +1 more source

Elementos extra-musicais na obra de K-ximbinho: questões sobre iconografia musical em suas capas de disco entre 1950 e 1960 Extra-musical elements in the work of K-Ximbinho: questions about musical iconography in their record covers between 1950s and 1960s

open access: yesPer Musi, 2011
K-ximbinho participou juntamente com outros músicos entre as décadas de 1950 e 1960 de um processo que visava modernizar o samba e o choro pela introdução dos elementos diversos do jazz.
Pablo Garcia da Costa   +1 more
doaj   +1 more source

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

open access: yesModern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

Home - About - Disclaimer - Privacy