Results 31 to 40 of about 25,893 (214)
e-Hum: Revista das Áreas de Humanidade do Centro Universitário de Belo Horizonte, 2020 eoi/doi Deposit-Electronic Object Identifier http://eoi.citefactor.org/10.11248/ehum.v12i1.2868 Heitor Villa-Lobos and the internationalization of “Musical Education”: Iconography, Musical Americanism and Pan Americanism (1933-1946) Resumo: O ...
Loque Arcanjo Junior. +2 more
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‘For musike meueþ affecciouns’: Interpreting Harp Performance in Medieval Romance [PDF]
Ceræ, 2015 Performances are focal points in medieval romances with musical protagonists. Whilst these performances may not necessarily be accurate representations of medieval music, such episodes in popular literature are valuable to early music practitioners ...
Alana Bennett
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La presencia de la música en los contextos funerarios griegos y etruscos
Espacio, Tiempo y Forma. Serie II, Historia Antigua, 2010 La relación entre la música y el más allá fue muy estrecha en el ámbito de las culturas de la Antigüedad Clásica, hecho que se pone de manifiesto tanto a través de la iconografía como en el registro arqueológico y en las fuentes escritas.
María Isabel Rodríguez López
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International Journal of Systematic Theology, EarlyView.Abstract The article explores Christianity's role in society through public theology, particularly in relation to the public calling of the Protestant Church in the Netherlands (PCN). It advocates for reflecting on the dichotomy of church/world through the lens of divine mediation, challenging traditional dualisms and emphasizing a ‘soft difference ...
Rachèl Blokhuis‐Koopman
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The Journal of American Culture, EarlyView.ABSTRACT This article examines the use of promotional interviews (“promos”) in American professional wrestling of the 1980s. I argue that promos introduced a vocal modality into a form of sports entertainment that, as Roland Barthes ([1957] 1972) showed in Mythologies, had always been dominated by visual spectacle. I then undertake a focused linguistic
Jens Kjeldgaard‐Christiansen
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The Journal of American Culture, EarlyView.ABSTRACT Tim Burton's Christmas trilogy, Batman Returns, The Nightmare Before Christmas and Edward Scissorhands are all characterized by his trademark features. These include characters with ambiguous identities, apparently “normal” worlds adjacent to spaces associated with difference and exclusion, and the inevitable intrusion of the latter into the ...
Fran Pheasant‐Kelly
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Lute, Vihuela, and Early Guitar [PDF]
, 2018 Producción CientíficaLutes, guitars, and vihuelas were the principal plucked instruments in use in Europe until around 1800. Ancient forms of the lute existed in many parts of the ancient world, from Egypt and Persia through to China.
Griffiths, John, Kieffer, Paul
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Divided Consciousness And Female Companionship: Reconstructing Female Subjectivity On Greek Vases [PDF]
, 1997 Art ...
Petersen, Lauren H.
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International Journal of Art &Design Education, EarlyView.Abstract Far‐right politics has re‐emerged as a significant force in mainstream Western liberal democracies, such as the United Kingdom and the United States, where it has been linked to rising levels of racial discrimination and violence that threaten to erode the fragile ideals of democratic peace within these contexts. In a 'post‐truth' era, digital
Fiona O'Rourke
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The Dies Irae ( Day of Wrath ) and Totentanz ( Dance of Death ): Medieval Themes Revisited in 19th Century Music and Culture [PDF]
, 2003 During the pivotal November 2002 football game of Arkansas vs. Georgia in the SEC conference championship, the Georgia marching band struck up their defensive rallying song. Instead of a typical defense song, the band played an excerpt of the Gregorian
Brooks, Erin
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