Results 11 to 20 of about 12,164 (256)

From the Body with the Body: Performing with a Genome-Based Musical Instrument [PDF]

EAI Endorsed Transactions on Creative Technologies, 2020
INTRODUCTION: In this paper we present Silico, a new Digital Musical Instrument which ideally represents theperformer itself. This instrument is composed by two parts: an interface (a sensor glove), which relies on the movementsof the performer’s hand ...
Francesco Rì, Raul Masu, Mauro Graziani, Marco Roncador   +3 more
doaj   +1 more source

The EyeHarp: A Gaze-Controlled Digital Musical Instrument [PDF]

Frontiers in Psychology, 2016
Rafael Ramirez, Zacharias Vamvakousis, Ramirez Rafael   +2 more
exaly   +2 more sources

Elements of archaic music reflected in petroglyphs as a phenomenon of cultural heritage, the original source of material and spiritual culture

Conservation Science in Cultural Heritage, 2023
This article examines the process of development of musical culture; the evolution of the functional features of a musical instrument (production, cult, aesthetic); the gradual allocation of a musical instrument from among ancient syncretic sound ...
Gulzhan Suleyeva, Ainur Yessetova, Aigul Kossanova, Aisulu Kaldayakova, Lyailya Kaliakbarova, Yerbol Ussenbayev   +5 more
doaj   +1 more source

Musical Activity During Life Is Associated With Multi-Domain Cognitive and Brain Benefits in Older Adults

Frontiers in Psychology, 2022
Regular musical activity as a complex multimodal lifestyle activity is proposed to be protective against age-related cognitive decline and Alzheimer’s disease.
Adriana Böttcher, Adriana Böttcher, Alexis Zarucha, Theresa Köbe, Malo Gaubert, Angela Höppner, Slawek Altenstein, Slawek Altenstein, Claudia Bartels, Katharina Buerger, Katharina Buerger, Peter Dechent, Laura Dobisch, Laura Dobisch, Michael Ewers, Klaus Fliessbach, Klaus Fliessbach, Silka Dawn Freiesleben, Ingo Frommann, Ingo Frommann, John Dylan Haynes, Daniel Janowitz, Ingo Kilimann, Ingo Kilimann, Luca Kleineidam, Christoph Laske, Christoph Laske, Franziska Maier, Coraline Metzger, Coraline Metzger, Coraline Metzger, Matthias H. J. Munk, Matthias H. J. Munk, Robert Perneczky, Robert Perneczky, Robert Perneczky, Robert Perneczky, Oliver Peters, Oliver Peters, Josef Priller, Josef Priller, Josef Priller, Boris-Stephan Rauchmann, Nina Roy, Klaus Scheffler, Anja Schneider, Anja Schneider, Annika Spottke, Annika Spottke, Stefan J. Teipel, Stefan J. Teipel, Jens Wiltfang, Jens Wiltfang, Jens Wiltfang, Steffen Wolfsgruber, Steffen Wolfsgruber, Renat Yakupov, Renat Yakupov, Emrah Düzel, Emrah Düzel, Frank Jessen, Frank Jessen, Frank Jessen, Sandra Röske, Michael Wagner, Michael Wagner, Gerd Kempermann, Gerd Kempermann, Miranka Wirth   +68 more
doaj   +1 more source

Domain-Specificity of Educational and Learning Capital: A Study With Musical Talents

Frontiers in Psychology, 2020
The Education and Learning Capital Approach (ELCA) has been widely used to investigate talent development. A research gap is the implicit consideration of the domain specificity of educational and learning capital.
Marold Reutlinger, Wolfgang Pfeiffer, Heidrun Stoeger, Wilma Vialle, Albert Ziegler   +4 more
doaj   +1 more source

Akulturasi Musik Gembrung Sebagai Media Komunikasi Islam

Academic Journal of Da'wa and Communication, 2022
Gembrung music is a traditional Islamic art that has developed a lot in Java. Its existence indicates a da'wah process in order to convey the messages of Islamic teachings in Java. The intersection of Muslim and Javanese groups creates a form of cultural
Muchlis Daroini, Kayyis Fithri Ajhuri
doaj   +1 more source

Musical Instrument Interfaces

A Peer-Reviewed Journal About, 2013
Controlling digital tools, instruments or appliances can be a quite tedious task. It could seem as if the huge computational and technological potentials of digital technologies – often internalized and inaccessible – in many cases take precedence
Mikkel Bech-Hansen
doaj   +1 more source

L’invention instrumentale

Methodos, 2011
A musical instrument has no specific identity until it is played by a concrete musician or used in a singular work. According to Stravinsky, a musical instrument is « nothing in itself ».
Jacques Dewitte
doaj   +1 more source

Similarity of Musical Timbres Using FFT-Acoustic Descriptor Analysis and Machine Learning

Eng, 2023
Musical timbre is a phenomenon of auditory perception that allows the recognition of musical sounds. The recognition of musical timbre is a challenging task because the timbre of a musical instrument or sound source is a complex and multifaceted ...
Yubiry Gonzalez, Ronaldo C. Prati
doaj   +1 more source

Musical Instruments As Sensors [PDF]

ACS Omega, 2018
The frequencies of notes made by a musical instrument are determined by the physical properties of the instrument. Consequently, by measuring the frequency of a note, one can infer information about the instrument's physical properties. In this work, we show that by modifying a musical instrument to contain a sample and analyzing the instrument's pitch,
Heran C. Bhakta, Vamsi K. Choday, William H. Grover   +2 more
openaire   +5 more sources