Results 211 to 220 of about 2,611 (257)
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2010
Abstract This chapter is a lexicographic exploration of the word rasa, which may (too) generally be translated as “affect” or “intuition.” In fact, rasa is much more than that. Its meanings are multiple and layered, as demonstrated by the many oral citations from musicians interviewed for the study. Some attention is given as well to how
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Abstract This chapter is a lexicographic exploration of the word rasa, which may (too) generally be translated as “affect” or “intuition.” In fact, rasa is much more than that. Its meanings are multiple and layered, as demonstrated by the many oral citations from musicians interviewed for the study. Some attention is given as well to how
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Soviet Law and Government, 1986
Youth are known to be that part of the population that are most receptive to things new. The current preferences of youth very frequently become the standards of tomorrow. On the basis of this fact alone, we can say that the study of youth's tastes has prognostic significance.
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Youth are known to be that part of the population that are most receptive to things new. The current preferences of youth very frequently become the standards of tomorrow. On the basis of this fact alone, we can say that the study of youth's tastes has prognostic significance.
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1997
Abstract Links between musical tastes and society manifest themselves in various ways and at various levels, particularly those levels described as social positional and ideological (see Chapter 1). For example, different types of music tend to appeal to different social groups-the audience at a heavy metal concert will probably have ...
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Abstract Links between musical tastes and society manifest themselves in various ways and at various levels, particularly those levels described as social positional and ideological (see Chapter 1). For example, different types of music tend to appeal to different social groups-the audience at a heavy metal concert will probably have ...
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Journal of Education, 1931
The following reports by Mrs. Rose Lutiger Gannon, assistant director of music; H. Ray Staater, supervisor of vocal music in the senior and junior high schools; Oscar W. Anderson, supervisor of instrumental music; Mrs. Lillian A. Willoughby, supervisor of class piano, will be found interesting to schools everywhere. —J.
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The following reports by Mrs. Rose Lutiger Gannon, assistant director of music; H. Ray Staater, supervisor of vocal music in the senior and junior high schools; Oscar W. Anderson, supervisor of instrumental music; Mrs. Lillian A. Willoughby, supervisor of class piano, will be found interesting to schools everywhere. —J.
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1997
Abstract In this chapter, we first sketch the enormity of adolescents’ consumption of, and apparent fascination with, various forms of music. After a brief excursion into the massification versus diversity controversy over popular music, we present and critically analyse efforts at explaining the enjoyment of music by adolescents on the ...
Dolf Zillmann, Su-lin Gan
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Abstract In this chapter, we first sketch the enormity of adolescents’ consumption of, and apparent fascination with, various forms of music. After a brief excursion into the massification versus diversity controversy over popular music, we present and critically analyse efforts at explaining the enjoyment of music by adolescents on the ...
Dolf Zillmann, Su-lin Gan
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The effect of background music on the taste of wine
British Journal of Psychology, 2011Research concerning cross‐modal influences on perception has neglected auditory influences on perceptions of non‐auditory objects, although a small number of studies indicate that auditory stimuli can influence perceptions of the freshness of foodstuffs.
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Social Differentiation in Musical Taste Patterns
Social Forces, 2001In this article, we investigate patterns of musical taste using a large sample from the Dutch population. It is found that members from higher-status groups tend to be more omnivorous (that is, they like more different musical genres) than those from lower-status groups, which is in line with Peterson's (1992; Peterson & Simkus 1992) hypothesis ...
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Baroque and rock: Music, mediators and musical taste
Poetics, 1997Abstract Sociologists have focused on the human components of the art production system (professions, market, institutions) and have deliberately ignored the question of the aesthetic value of the works. The paper tries to show how sociology can talk of “music itself”, if not directly in terms of aesthetic content or social authenticity, in terms of ...
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2016
The concept of ‘taste’ is central to an analysis of music consumption. The concept builds an understanding of the underpinning reasons why individuals like the music they listen to, how they use it and associate it, and how they are affected by it. However, taste mostly remains quite a blurry concept.
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The concept of ‘taste’ is central to an analysis of music consumption. The concept builds an understanding of the underpinning reasons why individuals like the music they listen to, how they use it and associate it, and how they are affected by it. However, taste mostly remains quite a blurry concept.
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